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001 65243
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010 _a14020284
040 _aUtSlPG
041 7 _aen
_2iso639-1
050 4 _aNE
100 1 _aRichter, Emil H.
_q(Emil Heinrich),
_d1869-
245 1 0 _aPrints: A Brief Review of Their Technique and History
264 1 _aSalt Lake City, UT :
_bProject Gutenberg,
_c2021
300 _a1 online resource :
_bmultiple file formats
336 _atext
_btxt
_2rdacontent
337 _acomputer
_bc
_2rdamedia
338 _aonline resource
_bcr
_2rdacarrier
500 _aRelease date is 2021-05-03
508 _aE-text prepared by deaurider, Charlie Howard, and the Online Distributed Proofreading Team (https://www.pgdp.net) from page images generously made available by Internet Archive (https://archive.org)
520 _a"Prints: A Brief Review of Their Technique and History" by Emil H. Richter is a scholarly work that provides an overview of the methods and historical development of printmaking techniques. Written in the early 20th century, it aims to introduce a broad audience to the types of prints and the significance of their production, enriching the reader's understanding of the graphic arts. The book discusses key processes such as woodcut, engraving, and lithography, while highlighting their evolution over the centuries. The opening of this work sets the stage by establishing the unfamiliarity many people have with the art of printmaking, despite its omnipresence in daily life. Richter begins by defining what constitutes a print and outlining the three main categories of printmaking processes: relief, intaglio, and planographic. He emphasizes the need for understanding how prints are created, encouraging readers to appreciate the nuances of these techniques. The author intends for this text to inspire curiosity and further study among those interested in the art form, positioning prints not merely as art objects but as vital expressions of cultural and historical significance. (This is an automatically generated summary.)
534 _nOriginal publication data not identified
653 _aEngraving -- History
653 _aEngravers
856 4 0 _uhttps://www.gutenberg.org/ebooks/65243
999 _c106066
_d106066