000 02949cam a22003853u 4500
001 65259
003 UtSlPG
005 20260610134515.0
006 m
007 cr n
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010 _a19015695
040 _aUtSlPG
041 7 _aen
_2iso639-1
050 4 _aND
100 1 _aFinberg, A. J.
_q(Alexander Joseph),
_d1866-1939
245 1 0 _aEarly English Water-Colour Drawings of the Great Masters
264 1 _aSalt Lake City, UT :
_bProject Gutenberg,
_c2021
300 _a1 online resource :
_bmultiple file formats
336 _atext
_btxt
_2rdacontent
337 _acomputer
_bc
_2rdamedia
338 _aonline resource
_bcr
_2rdacarrier
500 _aOn cover: Special number of 'The Studio,' 1919.
500 _aRelease date is 2021-05-05
505 0 _aIntroduction -- The Turners -- Turner's predecessors -- Turner's contemporaries -- Descriptive catalogue of the exhibition of selected water-colour drawings by artists of the early English school held at Messrs. Thomas Agnew & Sons' galleries, London, March-April, 1919.
508 _aChuck Greif and the Online Distributed Proofreading Team at http://www.pgdp.net (This file was produced from images available at The Internet Archive)
520 _a"Early English Water-Colour Drawings of the Great Masters" by A. J. Finberg is a collection of art criticism and exhibition catalogues written in the early 20th century. The text focuses primarily on the significant works of British artists who excelled in watercolour painting, particularly the renowned J.M.W. Turner, alongside discussions of his predecessors and contemporaries. The book aims to highlight the historical context of these artworks and promote a deeper appreciation of watercolour as a vital artistic medium. The opening of this work serves as an introduction to the importance of Turner and his contributions to watercolour painting. It discusses a remarkable exhibition held in 1919 that featured a selection of Turner's creations along with pieces from other influential artists. Finberg articulates the public's appreciation for watercolours during a time when they were often overshadowed by oil painting, emphasizing the exhibition's role in educating and engaging the audience with Turner's masterpieces and the works of those who came before and alongside him. The introductory remarks set the stage for a detailed exploration of individual works, showcasing their technical mastery and the emotional resonance they carry. (This is an automatically generated summary.)
534 _nOriginal publication data not identified
653 _aTurner, J. M. W. (Joseph Mallord William), 1775-1851
653 _aPainters -- England
653 _aWatercolor painting -- England
653 _aWatercolor painting, English -- Exhibitions
700 1 _aHolme, C. Geoffrey
_q(Charles Geoffrey),
_d1887-1954
856 4 0 _uhttps://www.gutenberg.org/ebooks/65259
999 _c106082
_d106082