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010 _a20008045
040 _aUtSlPG
041 7 _aen
_2iso639-1
050 4 _aND
100 1 _aHolme, C. Geoffrey
_q(Charles Geoffrey),
_d1887-1954
245 1 0 _aBritish Marine Painting
264 1 _aSalt Lake City, UT :
_bProject Gutenberg,
_c2021
300 _a1 online resource :
_bmultiple file formats
336 _atext
_btxt
_2rdacontent
337 _acomputer
_bc
_2rdamedia
338 _aonline resource
_bcr
_2rdacarrier
500 _aRelease date is 2021-05-29
508 _aChuck Greif and the Online Distributed Proofreading Team at http://www.pgdp.net (This file was produced from images available at The Internet Archive)
520 _a"British Marine Painting" by C. Geoffrey Holme and A. L. Baldry is an analytical and historical account of marine art written in the early 20th century. This work delves into the significance of the sea in British culture and how it has influenced artists over time. It explores the evolution of marine painting, discussing notable artists and their contributions to this genre. The opening of the work sets the stage by emphasizing the vital role the sea has played in shaping British national identity and artists' inspirations. It comments on the slow development of marine painting as a serious art form, highlighting early British artists' initial detachment from pictorial marine subjects. Through rich descriptions, the text argues that while landscape painting gained traction, it was not until the late 18th and early 19th centuries that marine themes began to receive the detailed attention they deserved. The introduction serves as a foundation for an exploration of significant British marine painters who have brought the complexities of the sea to life through their art. (This is an automatically generated summary.)
534 _nOriginal publication data not identified
653 _aMarine painting, British
700 1 _aBaldry, A. L.
_q(Alfred Lys),
_d1858-1939
856 4 0 _uhttps://www.gutenberg.org/ebooks/65466
999 _c106289
_d106289