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040 _aUtSlPG
041 7 _aen
_2iso639-1
050 4 _aML
100 1 _aMason, Daniel Gregory,
_d1873-1953
245 1 4 _aThe art of music, Vol. 02 (of 14)
264 1 _aSalt Lake City, UT :
_bProject Gutenberg,
_c2021
300 _a1 online resource :
_bmultiple file formats
336 _atext
_btxt
_2rdacontent
337 _acomputer
_bc
_2rdamedia
338 _aonline resource
_bcr
_2rdacarrier
500 _aRelease date is 2021-07-18
508 _aE-text prepared by Andrés V. Galia and the Online Distributed Proofreading Team (https://www.pgdp.net) from page images generously made available by Internet Archive (https://archive.org). Jude Eylander provided the music transcriptions.
520 _a"The Art of Music, Vol. 02 (of 14), A Narrative History of Music" is a historical account written in the early 20th century. This volume, edited by Daniel Gregory Mason, focuses on the development of music during the Classicism and Romanticism periods, exploring the transformative impact of composers like Beethoven, Schubert, Wagner, and Brahms on musical language and expression. The opening of this volume provides an overview of the transition from polyphonic traditions to a new musical language characterized by melody and harmony. It describes the shift towards more expressive forms in music, particularly highlighting the importance of the symphony, sonata, and opera during this era. The text outlines how composers began to reflect personal emotions and social sentiments in their works, breaking away from previous conventions that linked music primarily to the church or aristocratic patronage. By introducing influential figures and defining historical contexts, the introduction sets the stage for a deeper exploration of music's evolution throughout the volume. (This is an automatically generated summary.)
534 _nOriginal publication data not identified
653 _aMusicians
653 _aMusic -- History and criticism
700 1 _aHall, Leland,
_d1883-1957
700 1 _aHill, Edward Burlingame,
_d1872-1960
700 1 _aSaerchinger, César,
_d1889-1971
856 4 0 _uhttps://www.gutenberg.org/ebooks/65865
999 _c106687
_d106687