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001 67972
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040 _aUtSlPG
041 7 _aen
_2iso639-1
050 4 _aPN
100 1 _aTalbot, Frederick Arthur Ambrose,
_d1880-1924
245 1 0 _aMoving Pictures: How They Are Made and Worked
264 1 _aSalt Lake City, UT :
_bProject Gutenberg,
_c2022
300 _a1 online resource :
_bmultiple file formats
336 _atext
_btxt
_2rdacontent
337 _acomputer
_bc
_2rdamedia
338 _aonline resource
_bcr
_2rdacarrier
500 _aRelease date is 2022-05-02
508 _adeaurider, Charlie Howard, and the Online Distributed Proofreading Team at https://www.pgdp.net (This file was produced from images generously made available by The Internet Archive)
520 _a"Moving Pictures: How They Are Made and Worked" by Frederick Arthur Ambrose Talbot is a scientific publication written in the early 20th century. The book explores the process and technology behind the creation of moving pictures, detailing advancements in photography and the intricate work performed by various pioneers in the field. It serves as both a historical account and an informative guide to understanding the mechanics and artistry involved in motion photography. The opening of this work introduces the concept of animated photography and the challenges overcome by early inventors in capturing movement. Talbot discusses the transition from lengthy exposure times that made capturing motion nearly impossible to the development of instantaneous photography, which paved the way for motion pictures. He emphasizes the significance of visual persistence—the way the human brain perceives rapid sequences of images as continuous motion—and outlines the inventions and experimentations that led to the inception of moving pictures, setting the stage for the later detailed chapters on the technical aspects of film production and projection. (This is an automatically generated summary.)
534 _pOriginally published:
_cUnited States: J. B. Lippincott, 1914
653 _aMotion pictures
856 4 _uhttps://archive.org/details/movingpicturesho00talb
856 4 0 _uhttps://www.gutenberg.org/ebooks/67972
999 _c108794
_d108794