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040 _aUtSlPG
041 7 _afr
_2iso639-1
050 4 _aNX
_aPQ
100 1 _aMontesquiou-Fézensac, Robert, comte de,
_d1855-1921
245 1 0 _aDiptyque de Flandre, triptyque de France :
_ble peintre aux billets, le pasteur de cygnes, le broyeur de fleurs, l'inextricable graveur, la porte ouverte au jardin fermé du roi
264 1 _aSalt Lake City, UT :
_bProject Gutenberg,
_c2022
300 _a1 online resource :
_bmultiple file formats
336 _atext
_btxt
_2rdacontent
337 _acomputer
_bc
_2rdamedia
338 _aonline resource
_bcr
_2rdacarrier
500 _aWikipedia page about this book: https://fr.wikipedia.org/wiki/Diptyque_de_Flandre,_triptyque_de_France
500 _aRelease date is 2022-08-27
508 _aClarity and the Online Distributed Proofreading Team at https://www.pgdp.net (This file was produced from images generously made available by The Internet Archive/Canadian Libraries)
520 _a"Diptyque de Flandre, triptyque de France" by comte de Robert Montesquiou-Fézensac is a richly detailed collection of essays and artistic critiques written in the late 19th century. The work is centered around the exploration of artists, particularly focusing on Alfred Stevens and other notable figures such as Rodenbach and Monticelli, highlighting their paintings and contributions to art. The author's discerning observations and poetic language aim to pay homage to these artists, delving into the themes of femininity, beauty, and emotion portrayed in their works. The opening portion of the book introduces the author’s intentions and reflections on the relationship between art and life, setting the stage for a deeper exploration of the selected artists and their masterpieces. Montesquiou expresses his appreciation for Stevens while critiquing the intricate details found in Flemish paintings, notably the conversing reflections and rich emotional narratives within the art. He presents Stevens as a masterful painter of women and their emotional experiences, creating a bridge between art and personal sentiment. The section serves as an invitation for readers to appreciate the depth and beauty of visual art through the lens of literary critique, blending personal anecdotes with broader historical contexts. (This is an automatically generated summary.)
534 _pOriginally published:
_cFrance: E. Sansot, 1921
653 _aStevens, Alfred, 1823-1906
653 _aRodenbach, Georges, 1855-1898
653 _aMonticelli, Adolphe, 1824-1886
653 _aBresdin, Rodolphe, 1822-1885
653 _aMallarmé, Stéphane, 1842-1898
856 4 _uhttps://archive.org/details/diptyquedeflandr00mont
856 4 0 _uhttps://www.gutenberg.org/ebooks/68848
999 _c109652
_d109652