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040 _aUtSlPG
041 7 _aen
_2iso639-1
050 4 _aML
100 1 _aMason, Daniel Gregory,
_d1873-1953
245 1 4 _aThe art of music, Vol. 03 (of 14)
264 1 _aSalt Lake City, UT :
_bProject Gutenberg,
_c2022
300 _a1 online resource :
_bmultiple file formats
336 _atext
_btxt
_2rdacontent
337 _acomputer
_bc
_2rdamedia
338 _aonline resource
_bcr
_2rdacarrier
500 _aRelease date is 2022-09-14
508 _aAndrés V. Galia and the Online Distributed Proofreading Team at https://www.pgdp.net (This file was produced from images generously made available by The Internet Archive)
520 _a"The Art of Music: Volume Three" is a historical account edited by Edward Burlingame Hill, written in the early 20th century. This volume is part of a comprehensive series that explores the development of music, focusing specifically on the modern period. It discusses key figures such as Berlioz, Chopin, and Wagner, examining their influence and the evolution of various musical styles in the late 19th and early 20th centuries. The opening of this volume lays the groundwork for an in-depth exploration of modern music, emphasizing the significance of transformational composers like Wagner and Liszt. It highlights the transition from the romantic movement, tracing how their innovations shaped the direction of contemporary classical music. The text also introduces notable composers representing various nationalistic styles, discussing their contributions to the orchestral, operatic, and chamber music landscapes. (This is an automatically generated summary.)
534 _pOriginally published:
_cUnited States: National Society of Music, 1915
653 _aMusicians
653 _aMusic -- History and criticism
700 1 _aHill, Edward Burlingame,
_d1872-1960
700 1 _aNewman, Ernest,
_d1868-1959
700 1 _aSaerchinger, César,
_d1889-1971
856 4 _uhttps://archive.org/details/artofmusiccompre03maso
856 4 0 _uhttps://www.gutenberg.org/ebooks/68990
999 _c109790
_d109790