| 000 | 02818cam a22003733u 4500 | ||
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| 001 | 69378 | ||
| 003 | UtSlPG | ||
| 005 | 20260610134614.0 | ||
| 006 | m | ||
| 007 | cr n | ||
| 008 | 260607r20221926utu|||||o|||||||||||||| d | ||
| 010 | _a26014118 | ||
| 040 | _aUtSlPG | ||
| 041 | 7 |
_aen _2iso639-1 |
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| 050 | 4 | _aML | |
| 100 | 1 |
_aOdum, Howard Washington, _d1884-1954 |
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| 245 | 1 | 0 | _aNegro workaday songs |
| 264 | 1 |
_aSalt Lake City, UT : _bProject Gutenberg, _c2022 |
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| 300 |
_a1 online resource : _bmultiple file formats |
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| 336 |
_atext _btxt _2rdacontent |
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| 337 |
_acomputer _bc _2rdamedia |
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| 338 |
_aonline resource _bcr _2rdacarrier |
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| 500 | _aRelease date is 2022-11-18 | ||
| 508 | _aTim Lindell, Harry Lamé, Jude Eylander and the Online Distributed Proofreading Team at https://www.pgdp.net (This file was produced from images generously made available by The Internet Archive/American Libraries.) | ||
| 520 | _a"Negro Workaday Songs" by Howard Washington Odum and Guy Benton Johnson is a sociological study written in the early 20th century. This work serves as a collection of folk songs primarily from African American workers in the Southern United States, reflecting their daily lives, struggles, and cultural expressions. The book aims to present authentic portrayals of the Negro experience through these workaday songs, going beyond mere aesthetic appreciation to explore their social significance. The beginning of this volume sets the stage for an exploration of the rich tapestry of African American folk music born from labor and hardship. The authors intend to document the context in which these songs were created, drawing from real-life experiences of the singers. They emphasize the wealth of material available, noting songs ranging from prison anthems to lamentation ballads, and highlight the importance of these expressions as mirrors of the collective character and struggles of the black community during a transformative era in American history. Each song is tied to themes of migration, labor challenges, and emotional journeys, with the authors asserting that these works break from traditional folk song classifications, revealing deeper societal truths. (This is an automatically generated summary.) | ||
| 534 |
_pOriginally published: _cNew Caledonia: University of North Carolina Press, 1926 |
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| 653 | _aAfrican Americans -- Music -- History and criticism | ||
| 653 | _aFolk music -- Southern States -- History and criticism | ||
| 653 | _aFolk songs, English -- Southern States -- History and criticism | ||
| 653 | _aWork songs -- Southern States -- History and criticism | ||
| 700 | 1 |
_aJohnson, Guy Benton, _d1901-1991 |
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| 856 | 4 | _uhttps://archive.org/details/negroworkadayson00odum/page/n7/mode/2up | |
| 856 | 4 | 0 | _uhttps://www.gutenberg.org/ebooks/69378 |
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_c110166 _d110166 |
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