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010 _a04017842
040 _aUtSlPG
041 7 _aen
_2iso639-1
050 4 _aND
100 1 _aDewhurst, Wynford,
_d1864-1941
245 1 0 _aImpressionist painting: its genesis and development
264 1 _aSalt Lake City, UT :
_bProject Gutenberg,
_c2022
300 _a1 online resource :
_bmultiple file formats
336 _atext
_btxt
_2rdacontent
337 _acomputer
_bc
_2rdamedia
338 _aonline resource
_bcr
_2rdacarrier
500 _aRelease date is 2022-12-13
505 0 _aThe evolution of the Impressionistic idea -- Jongkind, Boudin, and Cézanne -- Edouard Manet (1832-1883) -- The Impressionist group, 1870-1886 -- Claude Monet -- Pissarro, Renoir, Sisley -- Some younger Impressionists: Carrière, Pointelin, Maufra -- "Realists": Raffaëlli, Degas, Toulouse-Lautrec -- The "women-painters": Berthe Morisot, Mary Cassatt, Marie Bracquemond, Eva Gonzalès -- "La peinture claire": Claus, Le Sidaner, Besnard, Didier-Pouget -- American Impressionists: Whistler, Harrison, Hassam -- A German Impressionist, Max Liebermann -- Influences and tendencies.
508 _aTim Lindell, Barry Abrahamsen, and the Online Distributed Proofreading Team at https://www.pgdp.net (This file was produced from images generously made available by The Internet Archive/American Libraries.)
520 _a"Impressionist Painting: Its Genesis and Development" by Wynford Dewhurst is a historical account written in the early 20th century. The book explores the evolution and significance of Impressionism, detailing the movement's key figures and its shaping influences, while examining the societal and artistic context that gave rise to this revolutionary style in art. The opening of the book sets the stage for understanding Impressionism through the author's personal journey and insights into key artists such as Turner and Monet. Dewhurst narrates his early admiration for landscape painting, recounting his transformative experience in Paris, where he first encountered Impressionism. He emphasizes the contrasts between classical traditions and the emerging modern artistic expressions, setting up a discussion on the significance of artists like Manet, Monet, and Boudin in the evolution of this captivating art movement. (This is an automatically generated summary.)
534 _pOriginally published:
_cUnited Kingdom: George Newnes, 1904
653 _aImpressionism (Art)
653 _aArtists -- Portraits
856 4 _uhttps://archive.org/details/impressionistpai00dewh/page/n7/mode/2up
856 4 0 _uhttps://www.gutenberg.org/ebooks/69533
999 _c110316
_d110316