000 02296cam a22003133u 4500
001 69986
003 UtSlPG
005 20260610134622.0
006 m
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040 _aUtSlPG
041 7 _aen
_2iso639-1
050 4 _aML
100 1 _aManson, W. L.
_q(William Laird),
_d1869-1930
245 1 4 _aThe Highland bagpipe
264 1 _aSalt Lake City, UT :
_bProject Gutenberg,
_c2023
300 _a1 online resource :
_bmultiple file formats
336 _atext
_btxt
_2rdacontent
337 _acomputer
_bc
_2rdamedia
338 _aonline resource
_bcr
_2rdacarrier
500 _aRelease date is 2023-02-08
508 _aRichard Tonsing and the Online Distributed Proofreading Team at https://www.pgdp.net (This file was produced from images generously made available by The Internet Archive)
520 _a"The Highland Bagpipe: Its History, Literature, and Music" by W. L. Manson is a historical account written in the early 20th century. The book explores the significance of the Highland bagpipe, delving into its cultural context, historical evolution, and the various traditions surrounding this iconic instrument. Through its examination, the author likely aims to highlight the bagpipe's role not only in Scottish music but also in the broader tapestry of cultural identity and heritage. The opening portion of the book sets the stage by reflecting on the Highland bagpipe's past influence and ongoing importance in Scottish life. Manson discusses how the bagpipe once held a pivotal role as an instrument of war and clan gatherings, inferring that its legacy is deeply embedded in the Highlander's spirit. The text emphasizes a transition from the bagpipe being associated with clan conflicts to becoming a cherished symbol in modern Scottish culture. Manson hints at the inevitable changes brought about by modernization, yet maintains that the love and connection to the bagpipe remains strong, underlining its adaptability and significance to the Highlander identity. (This is an automatically generated summary.)
534 _pOriginally published:
_cUnited Kingdom: Paisley, 1901
653 _aBagpipe
856 4 _uhttps://archive.org/details/cu31924022329993
856 4 0 _uhttps://www.gutenberg.org/ebooks/69986
999 _c110739
_d110739