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| 001 | 70132 | ||
| 003 | UtSlPG | ||
| 005 | 20260610134624.0 | ||
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| 008 | 260607r20231899utu|||||o|||||||||||||| d | ||
| 040 | _aUtSlPG | ||
| 041 | 7 |
_aen _2iso639-1 |
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| 050 | 4 | _aML | |
| 100 | 1 |
_aHuneker, James, _d1857-1921 |
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| 245 | 1 | 0 |
_aMezzotints in modern music : _b |
| 264 | 1 |
_aSalt Lake City, UT : _bProject Gutenberg, _c2023 |
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_a1 online resource : _bmultiple file formats |
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| 336 |
_atext _btxt _2rdacontent |
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_acomputer _bc _2rdamedia |
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_aonline resource _bcr _2rdacarrier |
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| 500 | _aRelease date is 2023-02-25 | ||
| 505 | 0 | _aThe music of the future -- A modern music lord [Tschaïkowsky] -- Richard Strauss and Nietzsche -- The greater Chopin -- A Liszt étude -- The royal road to Parnassus -- A note on Richard Wagner. | |
| 508 | _aTim Lindell and the Online Distributed Proofreading Team at https://www.pgdp.net (This file was produced from images generously made available by The Internet Archive/American Libraries.) | ||
| 520 | _a"Mezzotints in Modern Music" by James Huneker is a collection of essays on notable composers and their contributions to music, likely written in the late 19th century. The work delves into the complexities and philosophies of various musicians, including Brahms, Tchaikovsky, Chopin, Richard Strauss, Liszt, and Wagner, discussing their styles, influences, and the evolution of music during their eras. Through these essays, Huneker presents an exploration of musical expression, structured form, and emotional depth, offering insights into both the technical and artistic merits of these composers. The opening of the book begins with a reflection on the significance of Johannes Brahms following his death, establishing him as a monumental figure in the landscape of music. Huneker explores Brahms' profound contribution to various musical forms, highlighting his dedication to structure and intellectual rigor while acknowledging the emotional depth embedded in his compositions. The text presents Brahms not as an aloof master but as a deeply human artist, whose works resonate with the experiences and emotions of life. The commentary leads into discussions about Brahms' contrasting relationships with other contemporaneous musicians, setting the stage for a broader examination of the evolving musical scene of the time. (This is an automatically generated summary.) | ||
| 534 |
_pOriginally published: _cUnited States: Charles Scribner's Sons, 1899 |
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| 653 | _aLiszt, Franz, 1811-1886 | ||
| 653 | _aWagner, Richard, 1813-1883 | ||
| 653 | _aChopin, Frédéric, 1810-1849 | ||
| 653 | _aMusic -- 19th century -- History and criticism | ||
| 653 | _aBrahms, Johannes, 1833-1897 | ||
| 653 | _aTchaikovsky, Peter Ilich, 1840-1893 | ||
| 653 | _aStrauss, Richard, 1864-1949 | ||
| 856 | 4 | _uhttps://archive.org/details/mezzotintsinmode00hunerich/page/n5/mode/2up | |
| 856 | 4 | 0 | _uhttps://www.gutenberg.org/ebooks/70132 |
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_c110877 _d110877 |
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