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040 _aUtSlPG
041 7 _afr
_2iso639-1
050 4 _aPT
100 1 _aRilke, Rainer Maria,
_d1875-1926
240 1 0 _aGeschichten vom lieben Gott. French
245 1 0 _aHistoires du bon Dieu
264 1 _aSalt Lake City, UT :
_bProject Gutenberg,
_c2023
300 _a1 online resource :
_bmultiple file formats
336 _atext
_btxt
_2rdacontent
337 _acomputer
_bc
_2rdamedia
338 _aonline resource
_bcr
_2rdacarrier
500 _aRelease date is 2023-08-16
505 0 _aLe conte des mains de Dieu -- L'étranger -- Pourquoi le bon Dieu veut qu'il y ait des pauvres -- Comment la trahison vint en Russie -- Comment le vieux Timofei mourut en chantant -- La chanson de la Justice -- Une scène du ghetto de Venise -- Celui qui écoutait les pierres -- Comment le dé à coudre devint le bon Dieu -- Un conte sur la mort et un épilogue d'une main étrangère -- Une association née d'un besoin impérieux -- Le mendiant et la fière demoiselle -- Une histoire racontée à l'obscurité.
508 _aLaurent Vogel and the Online Distributed Proofreading Team at https://www.pgdp.net (This file was produced from images generously made available by the Bibliothèque nationale de France (BnF/Gallica))
520 _a"Histoires du bon Dieu" by Rainer Maria Rilke is a collection of stories written in the early 20th century. The work reflects on themes of divinity and humanity through a conversational style that explores theological questions from a personal and often whimsical perspective. The narratives involve various characters who engage in dialogues about God, creation, and the understanding of life, making it a thoughtful exploration of spirituality and existence. At the start of the book, the narrator recounts an encounter with a neighbor who expresses her children's curiosity about God. This leads to a playful discussion about God's attributes, particularly focusing on "the hands of God." The narrator reflects on the process of creation, depicting God as a figure who, despite His divine powers, is portrayed with human-like traits, such as impatience and a degree of uncertainty. Through the lens of this conversation, the narrative also touches upon broader themes of misunderstanding and the nature of existence, setting the tone for the stories that follow. The opening serves as a framework for exploring deeper philosophical questions while maintaining a light and approachable style. (This is an automatically generated summary.)
534 _pOriginally published:
_cParis: Émile-Paul frères, 1927
653 _aReligious fiction, German -- Translations into French
653 _aShort stories, German -- Translations into French
700 1 _aBetz, Maurice,
_d1898-1946
856 4 _uhttps://gallica.bnf.fr/ark:/12148/bpt6k81264n
856 4 0 _uhttps://www.gutenberg.org/ebooks/71420
999 _c112146
_d112146