000			02200cam a22003253u 4500
001			72322
003			UtSlPG
005			20260610134655.0
006			m
007			cr n
008			260607r20231872utu|||||o|||||||||||||| d
040			_aUtSlPG
041		7	_ait _2iso639-1
050		4	_aDG
100	1		_aCurti, Pier Ambrogio, _d1819-1899
245	1	0	_aPompei e le sue rovine, Vol. 2 (of 3)
264		1	_aSalt Lake City, UT : _bProject Gutenberg, _c2023
300			_a1 online resource : _bmultiple file formats
336			_atext _btxt _2rdacontent
337			_acomputer _bc _2rdamedia
338			_aonline resource _bcr _2rdacarrier
500			_aRelease date is 2023-12-05
508			_aBarbara Magni and the Online Distributed Proofreading Team at http://www.pgdp.net (This file was produced from images made available by The Internet Archive)
520			_a"Pompei e le sue rovine, Vol. 2" by Pier Ambrogio Curti is a historical account written in the late 19th century. This volume continues to explore the ruins of Pompeii, delving into the cultural and social aspects of the ancient city, particularly focusing on its theaters. The narrative likely emphasizes the significance of theatrical performances in Pompeii’s public life, including details about the structure and function of the comedic theater, known as the Odeum. The opening of this volume discusses the essential role of theaters in Roman public life, particularly in Pompeii, which boasted two theaters and an amphitheater. Curti describes the dimensions and layout of the Odeum, detailing its capacity and the seating arrangements for different social classes, reflecting the societal hierarchy of the time. He emphasizes the intertwining of entertainment and religion in ancient Rome, illustrating how theatrical performances served not only as public spectacles but also had deeper communal and spiritual significance. (This is an automatically generated summary.)
534			_pOriginally published: _cMilano: Sanvito, 1872
653			_aPompeii (Extinct city)
653			_aCampania (Italy)
856	4		_uhttps://archive.org/details/pompeielesuerovi02curtiala
856	4	0	_uhttps://www.gutenberg.org/ebooks/72322
999			_c113047 _d113047