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010 _a27022212
040 _aUtSlPG
041 7 _afr
_2iso639-1
050 4 _aPQ
100 1 _aBaumann, Emile,
_d1868-1942
245 1 0 _aIntermèdes
264 1 _aSalt Lake City, UT :
_bProject Gutenberg,
_c2024
300 _a1 online resource :
_bmultiple file formats
336 _atext
_btxt
_2rdacontent
337 _acomputer
_bc
_2rdamedia
338 _aonline resource
_bcr
_2rdacarrier
500 _aRelease date is 2024-01-29
508 _aLaurent Vogel (This file was produced from images generously made available by the Bibliothèque nationale de France (BnF/Gallica))
520 _a"Intermèdes" by Émile Baumann is a collection of essays written in the early 20th century. This work appears to explore philosophical and critical reflections on literature, music, and faith, with a particular focus on the influential figures and contentious issues surrounding the Catholic Church and its relation to contemporary thought. The opening of the book begins with a preface that sets the tone for Baumann's reflections. He presents a series of studies that are crafted symphonically, suggesting that each piece interweaves with broader themes rather than simply varying on familiar topics. The text begins with the downfall of Félicité de Lamennais, a priest and influential thinker whose conflicts with the Church highlight the tensions between faith and modernity. As the narrative unfolds, it delves into Lamennais's internal struggles with faith and authority, ultimately portraying a complex portrait of a man caught in a web of intellectual and spiritual turmoil. Through Baumann's analysis, readers are invited to engage with the broader implications of Lamennais's life and the risks of pursuing liberty in thought within a constrained belief system. (This is an automatically generated summary.)
534 _pOriginally published:
_cParis: Bernard Grasset, 1927
653 _aFrench literature -- History and criticism
856 4 _uhttps://gallica.bnf.fr/ark:/12148/bpt6k9734943f
856 4 0 _uhttps://www.gutenberg.org/ebooks/72819
999 _c113544
_d113544