000 02686cam a22003493u 4500
001 73811
003 UtSlPG
005 20260610134716.0
006 m
007 cr n
008 260607r20241919utu|||||o|||||||||||||| d
010 _a19015691
040 _aUtSlPG
041 7 _aen
_2iso639-1
050 4 _aND
100 1 _aVan Dyke, John C.,
_d1856-1932
245 1 0 _aAmerican painting and its tradition
264 1 _aSalt Lake City, UT :
_bProject Gutenberg,
_c2024
300 _a1 online resource :
_bmultiple file formats
336 _atext
_btxt
_2rdacontent
337 _acomputer
_bc
_2rdamedia
338 _aonline resource
_bcr
_2rdacarrier
500 _aRelease date is 2024-06-11
505 0 _aThe art tradition in America -- George Inness -- Alexander H. Wyant -- Homer Martin -- Winslow Homer -- John La Farge -- James Abbott McNeill Whistler -- William Merritt Chase -- John W. Alexander -- John S. Sargent.
508 _aAlan, Charlene Taylor and the Online Distributed Proofreading Team at https://www.pgdp.net (This file was produced from images generously made available by The Internet Archive/American Libraries.)
520 _a"American Painting and Its Tradition" by John C. Van Dyke is an art history publication written in the early 20th century. This work explores the developments in American art primarily from around 1878 to 1915, focusing on notable artists such as George Inness, Wyant, Martin, Winslow Homer, and Whistler. The book aims to contextualize these artists within a larger tradition of American painting, analyzing their contributions and the shifts in artistic movements during that era. The opening of the book sets the stage for this exploration by discussing the historical context of American painting, which began as an adaptation of European methods. It outlines the transition from a reliance on portraiture and landscape as seen in the Hudson River School to the emergence of a uniquely American voice in art. The preface emphasizes the importance of the nine chosen artists, noting that while they were part of a broader movement, their individual styles were instrumental in shaping American art. The author provides personal insights derived from his experiences during the time, hinting at the deep cultural and artistic influences that informed the work of these pivotal figures. (This is an automatically generated summary.)
534 _pOriginally published:
_cNew York: Charles Scribner's Sons, 1919
653 _aPainters -- United States
653 _aPainting -- United States
856 4 _uhttps://archive.org/details/gri_33125007814912/page/n9/mode/2up
856 4 0 _uhttps://www.gutenberg.org/ebooks/73811
999 _c114536
_d114536