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| 001 | 75793 | ||
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| 005 | 20260610134744.0 | ||
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| 040 | _aUtSlPG | ||
| 041 | 7 |
_ade _2iso639-1 |
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| 050 | 4 | _aPT | |
| 100 | 1 |
_aBecher, Johannes Robert, _d1891-1958 |
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| 245 | 1 | 4 | _aDer Bankier reitet über das Schlachtfeld |
| 264 | 1 |
_aSalt Lake City, UT : _bProject Gutenberg, _c2025 |
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_a1 online resource : _bmultiple file formats |
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| 336 |
_atext _btxt _2rdacontent |
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_acomputer _bc _2rdamedia |
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_aonline resource _bcr _2rdacarrier |
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| 500 | _aRelease date is 2025-04-05 | ||
| 508 | _aJens Sadowski and the Online Distributed Proofreading Team at https://www.pgdp.net. This book was produced from images made available by the HathiTrust Digital Library. | ||
| 520 | _a"Der Bankier reitet über das Schlachtfeld: Erzählung" by Johannes Robert Becher is a narrative written in the early 20th century. The story centers on Mr. Branting, an American banker and millionaire, portraying his experiences and observations as he journeys through postwar Europe, particularly visiting former World War I battlefields now turned into sites of commercial tourism. The likely topic of the book is a sharp, satirical examination of wealth, war, and the commercialization of tragedy, explored through encounters with a diverse array of characters and the transformation of war’s devastation into spectacle for the privileged. At the start of the narrative, we follow Mr. Branting, who, after a luxurious vacation in St. Moritz, embarks on the opulent ocean liner "Columbia" from New York to Europe. The beginning paints the ship as a "floating fairy-tale castle," brimming with luxury for its wealthy passengers, starkly contrasting with the hardships faced by its international crew deep in the engine rooms. The story shifts from scenes of decadent onboard entertainment and socializing—including a grotesque masquerade party—to a special film screening about executions following an assassination attempt in Bulgaria, highlighting the voyeuristic consumption of violence. Upon arriving in Europe, Branting joins a tourist excursion to World War I battlefields, now commercialized as attractions, where he and other visitors are guided through reconstructed trenches and gruesome relics, their reactions oscillating between fascination and self-congratulatory pathos. The opening sets a tone of dark irony, exploring themes of alienation, the commodification of suffering, and the unsettling ways in which contemporary society processes the aftermath of catastrophe. (This is an automatically generated summary.) | ||
| 534 |
_pOriginally published: _cWien: Agis-Verlag, 1926 |
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| 653 | _aWorld War, 1914-1918 -- Fiction | ||
| 700 | 1 |
_aGrosz, George, _d1893-1959 |
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| 700 | 1 |
_aHeartfield, John, _d1891-1968 |
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| 856 | 4 | _uhttps://hdl.handle.net/2027/uc1.b2809298 | |
| 856 | 4 | 0 | _uhttps://www.gutenberg.org/ebooks/75793 |
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_c116518 _d116518 |
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