000			03162cam a22003373u 4500
001			75814
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005			20260610134744.0
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040			_aUtSlPG
041		7	_aes _2iso639-1
050		4	_aPQ
100	1		_aPardo Bazán, Emilia, condesa de, _d1852-1921
245	1	0	_aEn tranvía
264		1	_aSalt Lake City, UT : _bProject Gutenberg, _c2025
300			_a1 online resource : _bmultiple file formats
336			_atext _btxt _2rdacontent
337			_acomputer _bc _2rdamedia
338			_aonline resource _bcr _2rdacarrier
500			_aRelease date is 2025-04-07
505	0		_aEn tranvía -- Adriana -- Vitorio -- Las desnudadas -- Semilla heroica -- Justiciero -- Elección -- La chucha -- El vino del mar -- Fuego á bordo -- La paz -- Suerte macabra -- El guardapelo -- La ventana cerrada -- Infidelidad -- De vieja raza -- Benito de Palermo -- Ley natural -- El comadrón -- El voto de Rosiña -- Vivo retrato -- El décimo -- La puñalada -- En el Santo -- Santos Bueno -- Sustitución -- La compaña -- La dentadura -- Inspiración -- Oscuramente -- El ahogado -- El molino -- Aventura -- El oficio de difuntos -- Juan Trigo -- El camafeo -- Voz de la sangre.
508			_aAndrés V. Galia and the Online Distributed Proofreading Team at https://www.pgdp.net (This book was produced from images made available by the HathiTrust Digital Library.)
520			_a"En tranvía: Cuentos dramáticos" by condesa de Emilia Pardo Bazán is a collection of short stories written in the late 19th century. The book presents a series of dramatic vignettes, each exploring the varied complexities and struggles within everyday Spanish life, often focusing on themes of social class, fate, and the human condition. The stories introduce a range of characters from different walks of life, portraying their joys, tragedies, and moral dilemmas with acute psychological insight. Readers can expect immersive tales rich in atmosphere, social critique, and emotional depth. The opening of the collection sets the stage aboard a Madrid tram on a spring morning, observing passengers from all social backgrounds, especially contrasting well-off families with a desperate, impoverished woman and her blind child. As the passengers' initial display of charity fails to comfort the woman's deeper anguish, a subtle critique of societal sympathy emerges. The subsequent stories start with "Adriana," recounting a mother's heartache after a traumatic ordeal threatens her only child, and "Vitorio," which introduces a "noble bandit" whose downfall is entwined with personal disgrace and family honor. Each introductory tale establishes the emotionally charged and morally complex narratives that follow, while painting a vivid picture of Spanish society. (This is an automatically generated summary.)
534			_pOriginally published: _cMADRID: ADMINISTRACIÓN, 1899
653			_aShort stories, Spanish
653			_aSpanish fiction -- 19th century
856	4		_uhttp://bdh-rd.bne.es/viewer.vm?id=0000092310&page=1
856	4	0	_uhttps://www.gutenberg.org/ebooks/75814
999			_c116539 _d116539