000			03400cam a22003493u 4500
001			75839
003			UtSlPG
005			20260610134744.0
006			m
007			cr n
008			260607r20251923utu|||||o|||||||||||||| d
040			_aUtSlPG
041		7	_ade _2iso639-1
050		4	_aPT
100	1		_aKeller, Paul, _d1873-1932
245	1	4	_aDas Königl. Seminartheater — Altenroda — Grünlein
246	1		_aDas Königliche Seminartheater — Altenroda — Grünlein : Novellen
264		1	_aSalt Lake City, UT : _bProject Gutenberg, _c2025
300			_a1 online resource : _bmultiple file formats
336			_atext _btxt _2rdacontent
337			_acomputer _bc _2rdamedia
338			_aonline resource _bcr _2rdacarrier
500			_aRelease date is 2025-04-12
505	0		_aDas königliche Seminartheater -- In den Grenzhäusern -- Der Ausflug -- Das Telefon des Bildschnitzers -- Die Briefe der Tochter -- Die letzte Furche -- Bergkrach -- Altenroda -- Vom Musikleben in Altenroda -- Der Schuldturm -- Das traurige Schicksal des Meisters Michael: Vom törichten Kaspar. Rauchermärchen -- Die drei Geizhälse: Der evangelische Geizhals. Der katholische Geizhals. Der jüdische Geizhals -- Zwei Idyllen: Der Briefkasten. Hero und Leander -- Ansorge -- Grünlein.
508			_aThe Online Distributed Proofreading Team at https://www.pgdp.net
520			_a"Das Königl. Seminartheater — Altenroda — Grünlein: Novellen" by Paul Keller is a collection of short stories (novellas) written in the early 20th century. The book opens with fond reminiscences of student days and idealistic youth, vividly portraying the camaraderie, artistic enthusiasm, and small rebellions of a group of young men at a teacher seminary in Breslau. The central figures are Keller himself (as narrator) and his close friends Heilgans, Bartsch, Böttger, and others, whose collective escapades in forming an amateur theater troupe blend humor, nostalgia, and personal growth. Overall, the collection likely explores rural and small-town life, youthful dreams, and human connections in Silesia, combining autobiographical elements with local color. The opening of the book is divided between two stories: the first, "Das Königliche Seminartheater," recounts the narrator’s entrance into the Breslau seminary and the formation of a wildly passionate—and often comical—student theater. Through a series of humorous and heartwarming anecdotes, the boys endure examinations, dream up dramatic productions, navigate friendships, rivalries, pranks, and the challenges of adolescence. The second story, "In den Grenzhäusern," shifts to a rural, mountainous borderland, depicting the narrator's youthful adventures among innkeepers, border guards, and villagers. Here, he observes village life, folk customs, and the petty—and sometimes poignant—smuggling that shapes local existence, culminating in a moving scene of love and loss. Taken together, the beginning of the book offers affectionate, richly characterized vignettes of youthful ambition and the everyday dramas of Silesian life. (This is an automatically generated summary.)
534			_pOriginally published: _cBreslau und Leipzig: Bergstadtverlag, 1923
653			_aShort stories, German
653			_aGerman fiction -- 20th century
700	1		_aPoetter, Wilhelm, _d1885-1945
856	4	0	_uhttps://www.gutenberg.org/ebooks/75839
999			_c116564 _d116564