000 02930cam a22003373u 4500
001 76073
003 UtSlPG
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007 cr n
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040 _aUtSlPG
041 7 _aes
_2iso639-1
050 4 _aPQ
100 1 _aZorrilla, José,
_d1817-1893
245 1 0 _aTraidor, inconfeso y martir
264 1 _aSalt Lake City, UT :
_bProject Gutenberg,
_c2025
300 _a1 online resource :
_bmultiple file formats
336 _atext
_btxt
_2rdacontent
337 _acomputer
_bc
_2rdamedia
338 _aonline resource
_bcr
_2rdacarrier
500 _aWikipedia page about this book: https://en.wikipedia.org/wiki/Traidor,_inconfeso_y_m%C3%A1rtir
500 _aWikipedia page about this book: https://es.wikipedia.org/wiki/Traidor,_inconfeso_y_m%C3%A1rtir
500 _aRelease date is 2025-05-12
508 _aRamón Pajares Box. (This book was produced from images generously made available by The Internet Archive / University of North Carolina at Chapel Hill.)
520 _a"Traidor, inconfeso y mártir : Drama histórico en tres actos y en verso" by Zorrilla is a historical drama written in the late 19th century. The play centers around themes of identity, honor, and intrigue set against the backdrop of sixteenth-century Spain, with principal characters including Gabriel Espinosa, Doña Aurora, and Don César de Santillana. At the heart of the plot lies a mysterious figure whose hidden identity, connections to nobility, and relationship to significant political turmoil drive the story forward. The tension is heightened by suspicion, romantic entanglements, and the interplay of loyalty and deception among the characters. The opening of the drama unfolds in a Valladolid inn, where preparations are made for the secretive arrival of Gabriel Espinosa, a man traveling with a young woman (Doña Aurora) and a loyal attendant. The innkeeper Burgoa is given strict instructions and paid handsomely by various mysterious visitors to offer the newcomers full hospitality and privacy. Soon, military and judicial authorities, chiefly represented by Don César and his father Don Rodrigo, entangle themselves in the matter out of suspicion and duty. Through tense interactions and veiled confrontations, the characters probe Gabriel’s true identity, his connection to Aurora, and the persistent rumors of royal impersonation. The act builds to Gabriel’s dramatic arrest while emotional conflict intensifies between Don César and Aurora, setting the stage for further revelations and dramatic turns. (This is an automatically generated summary.)
534 _pOriginally published:
_cMadrid: R. Velasco, Impresor, Marqués de Santa Ana, 11, dup.º, 1917
653 _aEspinosa, Gabriel de, -1595 -- Drama
856 4 _uhttps://archive.org/details/traidorinconfeso00zorr_0
856 4 0 _uhttps://www.gutenberg.org/ebooks/76073
999 _c116798
_d116798