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| 001 | 76241 | ||
| 003 | UtSlPG | ||
| 005 | 20260610134750.0 | ||
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| 008 | 260607r20251906utu|||||o|||||||||||||| d | ||
| 040 | _aUtSlPG | ||
| 041 | 7 |
_aen _2iso639-1 |
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| 050 | 4 | _aDS | |
| 100 | 1 | _aEdwards, A. Herbage | |
| 245 | 1 | 0 | _aKakemono |
| 264 | 1 |
_aSalt Lake City, UT : _bProject Gutenberg, _c2025 |
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| 300 |
_a1 online resource : _bmultiple file formats |
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| 336 |
_atext _btxt _2rdacontent |
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| 337 |
_acomputer _bc _2rdamedia |
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_aonline resource _bcr _2rdacarrier |
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| 500 | _aRelease date is 2025-06-08 | ||
| 508 | _aRichard Illner and the Online Distributed Proofreading Team at https://www.pgdp.net (This file was produced from images generously made available by The Internet Archive/American Libraries.) | ||
| 520 | _a"Kakemono : Japanese sketches" by A. Herbage Edwards is a collection of travel sketches and cultural essays written in the early 20th century. The work surveys Japan’s religious life, art, landscape, and customs through lyrical description, on-the-ground observation, and folklore retellings. It moves from temples and shrines to street fairs and sacred mountains, balancing reverence with occasional critique. A recurring thread is the encounter with Buddhist and Shintō belief—culminating in a pilgrimage toward Mount Fuji. The opening of the book moves through a series of vivid scenes: a contemplative portrait of the Great Buddha; the austere sanctity of the Ise shrines; the sumptuous artistry of Nikkō’s mausoleum; and the bustling, commercialized devotion at Asakusa’s Kannon. It contrasts the serene altar-garden of Rinzaki with a compassionate episode at Ikkegami, where villagers honor foreign sailors, then tells the legend of a missionary child who damages a Jizō statue. The narrative lingers over Shiba’s ornate tomb-temples and the restrained dignity of the Hongwanji, counters it with a sharp sketch of Nichiren worship’s noisy zeal, and offers a universalist moment in a Shintō rite above the sea. Further scenes depict fox-god superstition at Inari, a communal fire-walking ceremony in Tokyo, and a meditation on the “smiling” Buddhas of Nikkō. It then turns to Mount Fuji: a poetic prologue on its presence and a grounded travel account—tram and horse to Subashiri, mist-bound ascent past tea-house stations and lava beds, purchase of pilgrim staves, and a first night’s halt at the second station. (This is an automatically generated summary.) | ||
| 534 |
_pOriginally published: _cChicago: A. C. McClurg & Co., 1906 |
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| 653 | _aJapan -- Description and travel | ||
| 653 | _aJapan -- Social life and customs | ||
| 700 | 1 | _aWillard, S. L. | |
| 856 | 4 | _uhttps://archive.org/details/kakemonojapanske00edwaiala/mode/2up | |
| 856 | 4 | 0 | _uhttps://www.gutenberg.org/ebooks/76241 |
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_c116966 _d116966 |
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