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| 001 | 76341 | ||
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| 005 | 20260610134751.0 | ||
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| 008 | 260607r20251911utu|||||o|||||||||||||| d | ||
| 040 | _aUtSlPG | ||
| 041 | 7 |
_aen _2iso639-1 |
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| 050 | 4 | _aPR | |
| 100 | 1 |
_aArkell, Reginald, _d1882-1959 |
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| 245 | 1 | 0 | _aColombine |
| 264 | 1 |
_aSalt Lake City, UT : _bProject Gutenberg, _c2025 |
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| 300 |
_a1 online resource : _bmultiple file formats |
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| 336 |
_atext _btxt _2rdacontent |
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| 337 |
_acomputer _bc _2rdamedia |
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| 338 |
_aonline resource _bcr _2rdacarrier |
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| 500 | _aRelease date is 2025-06-19 | ||
| 508 | _aCarol Brown, Charlene Taylor and the Online Distributed Proofreading Team at https://www.pgdp.net (This file was produced from images generously made available by The Internet Archive/American Libraries.) | ||
| 520 | _a"Colombine : a fantasy : and other verses by Reginald Arkell" is a verse drama with a companion collection of poems, written in the early 20th century. The book blends a fanciful one-act play, drawing on commedia dell’arte figures, with lyrical and dialect pieces. Its likely topic is the tension between glittering illusion and quiet sincerity in love, set against English folklore, memory, and rural life. The play opens on Cissbury Beacon, where an old laborer, Dan’l, and the boy Nathan’l muse about fairy rings and the Roman past before Colombine appears. She expects a duel for her favor, but Harlequin and Pierrot propose arbitration, pulling Dan’l in as judge. Harlequin dazzles with promises—the Land of Yesterday and a crystal that reveals the future—while Colombine gently refuses both nostalgia and fortune-telling. Pierrot offers little but honest love, which she chooses; Harlequin flounces off, and Colombine and Pierrot depart together as night falls, leaving Dan’l half-believing he has seen a fairy. The accompanying poems range from wry meditations on fate and art (“The Marionette,” “Criticism”) to tender, rustic vignettes and love pieces in dialect (“Th’ Coortin’,” “The Buryin’,” “A Zong to Zing-Oh!”), with notes of homesickness and sudden loss (“A Letter from Home”), playful mischief (“Forfeits,” “Treason and Plot”), and a closing vision of the long-sought ideal found in life’s shadowed valleys (“El Dorado”). (This is an automatically generated summary.) | ||
| 534 |
_pOriginally published: _cLondon: Benn and Cronin, Ltd., 1911 |
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| 653 | _aOne-act plays | ||
| 653 | _aEnglish poetry -- 20th century | ||
| 653 | _aColumbine (Fictitious character) -- Drama | ||
| 653 | _aHarlequin (Fictitious character) -- Drama | ||
| 653 | _aPierrot (Fictitious character) -- Drama | ||
| 700 | 1 |
_aCarter, Frederick, _d1885?-1967 |
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| 856 | 4 | _uhttps://archive.org/details/colombinefantasy00arke/page/n7/mode/2up | |
| 856 | 4 | 0 | _uhttps://www.gutenberg.org/ebooks/76341 |
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_c117066 _d117066 |
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