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001 76550
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040 _aUtSlPG
041 7 _aen
_2iso639-1
050 4 _aZ
100 1 _aPutnam, George Haven,
_d1844-1930
245 1 4 _aThe censorship of the Church of Rome and its influence upon the production and distribution of literature, volume 1 (of 2)
264 1 _aSalt Lake City, UT :
_bProject Gutenberg,
_c2025
300 _a1 online resource :
_bmultiple file formats
336 _atext
_btxt
_2rdacontent
337 _acomputer
_bc
_2rdamedia
338 _aonline resource
_bcr
_2rdacarrier
500 _aRelease date is 2025-07-22
508 _adeaurider, Karin Spence and the Online Distributed Proofreading Team at https://www.pgdp.net (This file was produced from images generously made available by The Internet Archive)
520 _a"The censorship of the Church of Rome and its influence upon the production and… by George Haven Putnam is a historical study written in the early 20th century. It examines how the Roman Catholic Church’s censorship—especially the Index of Prohibited and Expurgated Books and the work of the Inquisition and the Congregation of the Index—shaped what could be written, printed, and circulated. The study also compares Catholic, Protestant, and state censorship and evaluates their impact on the book trade, scholarship, and public opinion. The opening of the work lays out a detailed two-volume plan, then a preface that defines its scope: cataloging Indexes from the mid-16th century to 1900, noting earlier precedents, summarizing key decrees, describing the Roman Inquisition and the Congregation of the Index, and assessing effects on literary production, distribution, and commerce; it also names principal sources (notably Reusch) and explains the method. The introduction traces censorship from an early church ban on the Acta Pauli, shows how printing magnified the stakes, and explains the creation of the papal Index (1559), the more authoritative Tridentine Index (1564), and later practices (including expurgation). It argues the Index doubles as a historical record of literature, outlines how prohibitions affected the value and circulation of books, and notes inconsistencies among different national and ecclesiastical lists. The narrative sketches contrasting enforcement—Spain’s Inquisition as highly effective, France’s Gallican and royal controls more selective, and Italy’s mixed picture with places like Venice resisting Rome. It also touches on limits placed on vernacular Scripture and recurring condemnations of the Talmud, setting the stage for the detailed chapters that follow. (This is an automatically generated summary.)
534 _pOriginally published:
_cNew York: G. P. Putnam's Sons, 1906
653 _aProhibited books
653 _aFreedom of the press
653 _aLiberty of conscience
856 4 _uhttps://archive.org/details/censorshipofchu01putn
856 4 0 _uhttps://www.gutenberg.org/ebooks/76550
999 _c117275
_d117275