| 000 | 02966cam a22003853u 4500 | ||
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| 001 | 76662 | ||
| 003 | UtSlPG | ||
| 005 | 20260610134756.0 | ||
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| 008 | 260607r20251907utu|||||o|||||||||||||| d | ||
| 040 | _aUtSlPG | ||
| 041 | 7 |
_ade _2iso639-1 |
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| 050 | 4 | _aPG | |
| 100 | 1 |
_aDostoyevsky, Fyodor, _d1821-1881 |
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| 245 | 1 | 0 | _aSämtliche Werke 20 |
| 246 | 1 | _aSämtliche Werke 20 : Aus dem Dunkel der Grossstadt : Acht Novellen | |
| 264 | 1 |
_aSalt Lake City, UT : _bProject Gutenberg, _c2025 |
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_a1 online resource : _bmultiple file formats |
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| 336 |
_atext _btxt _2rdacontent |
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_acomputer _bc _2rdamedia |
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_aonline resource _bcr _2rdacarrier |
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| 500 | _aRelease date is 2025-08-10 | ||
| 505 | 0 | _aAus dem Dunkel der Großstadt -- Herr Prochartschin -- Polsunkoff -- Der ehrliche Dieb -- Eine dumme Geschichte -- Die Kleine -- Bobock -- Der Traum eines lächerlichen Menschen. | |
| 508 | _aAlexander Bauer and the Online Distributed Proofreading Team at https://www.pgdp.net | ||
| 520 | _a"Sämtliche Werke 20 : Aus dem Dunkel der Großstadt : Acht Novellen" by Dostoyevsky is a collection of novellas written in the mid to late 19th century. The volume gathers eight Petersburg-centered tales of urban alienation and moral struggle, spotlighting clerks, students, and other castaways as they battle conscience, poverty, and the pressures of a rapidly modernizing city. The opening of the collection frames Dostoyevsky as the poet of the modern metropolis: an introductory essay contrasts the city’s feverish experimentation with the steadier life of the countryside and sets St. Petersburg as a tragic, artificial crucible of Russian destiny; a foreword then outlines the eight included works and explains the title choice. Immediately after, the first novella begins with the famous voice of an unnamed former civil servant in his “corner,” a self-lacerating, contradictory narrator who calls himself sick and spiteful. He recalls petty cruelties at his desk, admits that hyper-consciousness paralyzes action, and dissects the perverse “pleasure” found in humiliation, pain, and even toothache. He contrasts impulsive “men of action” with his own mouse-like inertia, invokes the “stone wall” of natural law, and launches a fierce attack on rational egoism and utopian schemes, insisting that humans will sometimes choose against their own interest simply to assert freedom. (This is an automatically generated summary.) | ||
| 534 |
_pOriginally published: _cMünchen: Piper, 1907 |
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| 653 | _aRussian fiction -- Translations into German | ||
| 653 | _aShort stories, Russian -- Translations into German | ||
| 700 | 1 |
_aFilosofov, Dmitriĭ Vladimirovich, _d1872-1940 |
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| 700 | 1 |
_aMerezhkovsky, Dmitry Sergeyevich, _d1865-1941 |
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| 700 | 1 |
_aMoeller van den Bruck, Arthur, _d1876-1925 |
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| 700 | 1 |
_aRahsin, E. K., _d1886-1966 |
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| 856 | 4 | 0 | _uhttps://www.gutenberg.org/ebooks/76662 |
| 999 |
_c117387 _d117387 |
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