000 03068cam a22003613u 4500
001 76934
003 UtSlPG
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006 m
007 cr n
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010 _a23011805
040 _aUtSlPG
041 7 _aen
_2iso639-1
050 4 _aPS
100 1 _aVan Vechten, Carl,
_d1880-1964
245 1 4 _aThe blind bow-boy
264 1 _aSalt Lake City, UT :
_bProject Gutenberg,
_c2025
300 _a1 online resource :
_bmultiple file formats
336 _atext
_btxt
_2rdacontent
337 _acomputer
_bc
_2rdamedia
338 _aonline resource
_bcr
_2rdacarrier
500 _aRelease date is 2025-09-26
508 _aCarla Foust, Jwala Kumar Sista and the Online Distributed Proofreading Team at https://www.pgdp.net (This file was produced from images generously made available by The Internet Archive)
520 _aThe blind bow-boy by Carl Van Vechten is a novel written in the early 20th century. It follows Harold Prewett, a sheltered heir whose estranged father hires a scandal-tinged tutor to initiate him into “life” beyond college. Moving through Jazz Age New York—from salons to sideshows—the story contrasts the allure of a witty bohemian set led by Campaspe Lorillard with the fragile innocence of Alice Blake, promising a sharp, stylish comedy of manners about experience, desire, and self‑invention. The opening of the novel introduces Harold at a first, awkward meeting with his wealthy father, George Prewett, a cloak‑and‑suit magnate who blames college for misfitting him and vows to “unteach” his son by placing him under Paul Moody, a charming reprobate located via an advertisement seeking “good character but no moral sense.” George installs Harold in his own apartment with a worldly valet, Oliver Drains, and unlimited funds, instructing him to live as he pleases for a year. Flashbacks sketch Harold’s girl‑guarded Connecticut childhood with his eccentric Aunt Sadi and his isolated small‑college years, marked by the taunt “Cloaks and Suits.” In the city, Harold helps the tearful Alice Blake after a taxi accident and accompanies her to Jefferson Market court, where she insists on paying the truck driver’s fine with Harold’s money before retreating to her strict home. Finally, Paul’s circle—Campaspe, an incisive, feline hostess; Bunny, an avant‑garde composer; and John, a jovial broker—sweep Harold into cocktails, salon talk, and a whirlwind trip to Coney Island, where Campaspe voices a cool credo of worldly adaptability as the neon carnival becomes Harold’s first lesson in modern life. (This is an automatically generated summary.)
534 _pOriginally published:
_cNew York: Alfred A. Knopf, 1923
653 _aNew York (N.Y.) -- Fiction
653 _aMan-woman relationships -- Fiction
653 _aLove -- Fiction
700 1 _aLocher, Robert Evans,
_d1888-1956
856 4 _uhttps://archive.org/details/blindbowboy00vanv/page/6/mode/2up
856 4 0 _uhttps://www.gutenberg.org/ebooks/76934
999 _c117659
_d117659