000			02816cam a22003373u 4500
001			77235
003			UtSlPG
005			20260610134805.0
006			m
007			cr n
008			260607r20251840utu|||||o|||||||||||||| d
040			_aUtSlPG
041		7	_aes _2iso639-1
050		4	_aPQ
100	1		_aBretón de los Herreros, Manuel, _d1796-1873
245	1	0	_aMuérete ¡y verás...!
250			_aSegunda edición.
264		1	_aSalt Lake City, UT : _bProject Gutenberg, _c2025
300			_a1 online resource : _bmultiple file formats
336			_atext _btxt _2rdacontent
337			_acomputer _bc _2rdamedia
338			_aonline resource _bcr _2rdacarrier
500			_aRelease date is 2025-11-14
508			_aProduced by Ramón Pajares Box. (This file was produced from images generously made available by The Internet Archive/University of North Carolina at Chapel Hill.)
520			_a"Muérete ¡y verás...!" by Manuel Bretón de los Herreros is a stage comedy written in the mid-19th century. The play satirizes social hypocrisy, romantic fickleness, and political posturing in Zaragoza during the Carlist conflicts, using a “death” to strip characters of their masks. It centers on Don Pablo, a militia officer believed fallen in battle; Jacinta, his dazzling beloved; Isabel, her modest, secretly devoted sister; Don Matías, an eager rival; Don Froilán, a gloomy egoist; and Don Elías, a penny-wise lender. Expect witty clashes, farcical reversals, and a sharp portrait of a society that praises the dead while failing the living. The opening of the play sets Zaragoza humming as a militia column marches out: Pablo scrambles for a loan from Elías, then exchanges fervent vows with Jacinta while Isabel hides her love in silence and Froilán mutters dire omens. Soon a victory is rumored; a letter from Matías and an official notice mention one officer fallen, and Matías arrives to assert Pablo has died. Jacinta mourns yet swiftly lets Matías court her—claiming Pablo would have wished it—while Isabel, at last speaking, declares her deep, self-denying love and rebukes her sister’s haste. As funeral bells toll across from a lively dance where Jacinta and Matías plot their betrothal and Froilán shirks mourning, Pablo returns incognito, overhears his own praises and their betrayal, and decides to make Froilán recant publicly and to devise a sharper private revenge. The excerpt closes with Elías fretting over his unpaid loan as mourners drift from the church. (This is an automatically generated summary.)
534			_pOriginally published: _cMadrid: Imprenta de Yenes, 1840
653			_aComedy plays
653			_aSpanish drama -- 19th century
856	4		_uhttps://archive.org/details/mureteyversc00bret
856	4	0	_uhttps://www.gutenberg.org/ebooks/77235
999			_c117955 _d117955