000			03124cam a22003613u 4500
001			77383
003			UtSlPG
005			20260610134807.0
006			m
007			cr n
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040			_aUtSlPG
041		7	_aen _2iso639-1
050		4	_aTR
100	1		_aSnodgrass, Lloyd I., _d1885-1974
245	1	0	_aPhotography self taught
264		1	_aSalt Lake City, UT : _bProject Gutenberg, _c2025
300			_a1 online resource : _bmultiple file formats
336			_atext _btxt _2rdacontent
337			_acomputer _bc _2rdamedia
338			_aonline resource _bcr _2rdacarrier
490	1		_aLittle blue book ; no. 1139
500			_aRelease date is 2025-12-01
505	0		_aIntroduction -- Materials of photography -- Making the picture -- Developing the negative -- Printing the picture -- Motion pictures -- Scope of photography.
508			_aTim Miller and the Online Distributed Proofreading Team at https://www.pgdp.net (This file was produced from images generously made available by The Internet Archive)
520			_aPhotography self taught by Lloyd I. Snodgrass is an instructional guide written in the early 20th century. It teaches the principles and practice of making photographs, from choosing equipment to exposure, development, and printing, with brief coverage of motion pictures and the broader uses of photography. The book begins by explaining the photographic process in plain terms, then surveys materials and tools: camera types (box, folding, reflex), lens behavior and varieties (including wide‑angle, telephoto, and soft focus), stops and shutters, films and plates with notes on color sensitivity and filters, and printing papers. It next shows how to make a picture—loading roll film and packs, selecting viewpoint and lighting, composing with simplicity and balance, setting focus, stop, and shutter, and using practical exposure guides for landscapes, moving subjects, and interiors, plus clear advice on home portrait lighting and flash. Development is covered step by step (tank and tray methods, developers, fixing, washing, drying) with a guide to diagnosing negative faults. Printing follows (paper types and contrasts, exposure and development, stop bath, fixing, washing), then enlarging, sepia toning, and finishing skills such as trimming, mounting, spotting, and hand coloring. A later chapter explains motion‑picture principles and home‑movie practice with small‑gauge safety film and projectors, and the closing survey maps photography’s scope in business, science, illustration, and color processes (like autochrome and three‑color printing), ending with advances using special rays and filters. (This is an automatically generated summary.)
534			_pOriginally published: _cGirard: Haldeman-Julius Company, 1926
653			_aPhotography -- Handbooks, manuals, etc.
700	1		_aHaldeman-Julius, E. _q(Emanuel), _d1888-1951
830		0	_aLittle blue book ; no. 1139
856	4		_uhttps://archive.org/details/photographyselft1139snod/page/n1/mode/2up
856	4	0	_uhttps://www.gutenberg.org/ebooks/77383
999			_c118103 _d118103