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100	1		_aGyulai, Pál, _d1826-1909
245	1	0	_aGyulai Pál kritikai dolgozatainak újabb gyüjteménye, 1850-1904
264		1	_aSalt Lake City, UT : _bProject Gutenberg, _c2025
300			_a1 online resource : _bmultiple file formats
336			_atext _btxt _2rdacontent
337			_acomputer _bc _2rdamedia
338			_aonline resource _bcr _2rdacarrier
490	1		_aA Magyar Tudományos Akadémia Könyvkiadó Vállalata, új folyam, 1925-1927, cyclus
500			_aRelease date is 2025-12-03
508			_aAlbert László from page images generously made available by the Library of the Hungarian Academy of Sciences
520			_a"Gyulai Pál kritikai dolgozatainak újabb gyüjteménye, 1850-1904" by Pál Gyulai is a collection of literary criticism written in the mid-to-late 19th century and early 20th century. Bringing together reviews, essays, polemics, and brief editorial notes, the volume surveys Hungarian literature, theatre, language debates, and cultural life while modeling a strict, principled critical voice. It will appeal to readers interested in Hungarian literary history, the craft of criticism, and the era’s major figures and controversies. The opening of the volume presents an editorial foreword outlining why and how this supplementary collection was assembled, its relation to earlier editions, its selection principles, and the contextual notes added for clarity. It then begins with 1850 pieces: a programmatic “Irodalmi élet” sets a mission of strict, conscientious reviewing that guides readers, resists patriotic leniency, and scrutinizes style and language; a long review of “Egy földönfutó hátrahagyott novellái” weighs a popular exile’s tales (praised for narrative ease and sparkling dialogue, faulted for surface charm and thin ideas). Subsequent entries assess Arany János’s range and forms—culminating in a thoughtful reading of “Keveháza” as a small epic with evocative, national diction—then critique Sujánszky Antal’s religious poems by contrasting modern piety’s weak forms with older, stronger church-song traditions. A lively Pentecost-day feuilleton follows, turning from city merrymaking toward theatre talk and the contemporary “Tamás bátya” (Uncle Tom) stage sensation, where tone and taste are probed with Gyulai’s characteristic irony. (This is an automatically generated summary.)
534			_pOriginally published: _cBudapest: Magyar Tudományos Akadémia, 1927
653			_aHungarian literature -- 19th century -- History and criticism
700	1		_aHorváth, János, _d1878-1961
830		0	_aA Magyar Tudományos Akadémia Könyvkiadó Vállalata, új folyam, 1925-1927, cyclus
856	4	0	_uhttps://www.gutenberg.org/ebooks/77392
999			_c118112 _d118112