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| 001 | 77655 | ||
| 003 | UtSlPG | ||
| 005 | 20260610134811.0 | ||
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| 008 | 260607r20261929utu|||||o|||||||||||||| d | ||
| 010 | _a30005841 | ||
| 040 | _aUtSlPG | ||
| 041 | 7 |
_aen _2iso639-1 |
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| 050 | 4 | _aD501 | |
| 100 | 1 |
_aBorden, Mary, _d1886-1968 |
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| 245 | 1 | 4 | _aThe forbidden zone |
| 264 | 1 |
_aSalt Lake City, UT : _bProject Gutenberg, _c2026 |
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| 300 |
_a1 online resource : _bmultiple file formats |
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| 336 |
_atext _btxt _2rdacontent |
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| 337 |
_acomputer _bc _2rdamedia |
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_aonline resource _bcr _2rdacarrier |
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| 500 | _aRelease date is 2026-01-09 | ||
| 505 | 0 | _aThe North -- The Somme: hospital sketches -- Poems. | |
| 508 | _aSean/IB@DP, Tom Trussel and the Online Distributed Proofreading Team at https://www.pgdp.net (This file was produced from images generously made available by The Internet Archive) | ||
| 520 | _a"The forbidden zone" by Mary Borden is a collection of wartime sketches, short stories, and poems written in the early 20th century. It offers a stark, lyrical record of World War I as seen from the “forbidden zone” behind the front, especially in field hospitals with the French Army. Instead of a single protagonist, it presents impressionistic scenes of soldiers, nurses, civilians, and machinery at war, blending eyewitness detail with poetic intensity. The opening of this collection frames the pieces as unvarnished impressions from wartime nursing, fragmentary by design. It moves from a mud-choked, truncated Belgium and a dawn bombardment guided by a lone aircraft to vignettes of static surveillance (a tethered balloon), bustling staff cars and market women in a town square, and numbed sentries stopping endless traffic at roadside boxes. A powerful portrait of an elderly French territorial regiment contrasts their patience and resignation with the staged ceremony of decorations, briefly steadied by a commanding general before they trudge on. A scene at a deserted seaside resort shows a bitter, wounded amputee and the young woman beside him straining to love amid distant gunfire and hospitals filling a casino. Night then falls in a field hospital, where a nurse personifies Pain, Life, and Death while the guns provide a lullaby and a man’s spirit is about to slip away. A longer story follows an Apache convict-soldier, terrified of damnation, whom a tireless priest-orderly counsels through the night until confession brings peace at dawn. The section closes by introducing, in the heat and hush after battle, the arrival of a massive, grievously wounded man named Rosa. (This is an automatically generated summary.) | ||
| 534 |
_pOriginally published: _cLondon: William Heinemann, Ltd., 1929 |
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| 653 | _aWorld War, 1914-1918 -- Personal narratives, American | ||
| 653 | _aWorld War, 1914-1918 -- Hospitals -- France | ||
| 653 | _aNurses -- Biography | ||
| 653 | _aWorld War, 1914-1918 -- Medical care -- France | ||
| 653 | _aBorden, Mary, 1886-1968 | ||
| 856 | 4 | _uhttps://archive.org/details/forbiddenzone00bord/page/n7/mode/2up | |
| 856 | 4 | 0 | _uhttps://www.gutenberg.org/ebooks/77655 |
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_c118375 _d118375 |
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