000 03175cam a22003373u 4500
001 77790
003 UtSlPG
005 20260610134813.0
006 m
007 cr n
008 260607r20261884utu|||||o|||||||||||||| d
040 _aUtSlPG
041 7 _afr
_2iso639-1
050 4 _aPQ
100 1 _aBrada,
_d1850-1938
245 1 0 _aMylord et Mylady
264 1 _aSalt Lake City, UT :
_bProject Gutenberg,
_c2026
300 _a1 online resource :
_bmultiple file formats
336 _atext
_btxt
_2rdacontent
337 _acomputer
_bc
_2rdamedia
338 _aonline resource
_bcr
_2rdacarrier
500 _aRelease date is 2026-01-26
505 0 _aLe Portrait -- La Rencontre -- Dancing -- Kitty Dove -- House Party -- Les Gants -- Le Strophion -- Yachting -- Avec effraction -- L'Idéal -- L'Ambitieuse -- Le Chaperon -- Four in hand Club -- Rédemption.
508 _aLaurent Vogel and the Online Distributed Proofreading Team at https://www.pgdp.net (This file was produced from images generously made available by the Bibliothèque nationale de France (BnF/Gallica))
520 _a"Mylord et Mylady" by Brada is a novel written in the late 19th century. It reads as a witty, satirical comedy of manners about fashionable London society—its vanities, press-fueled notoriety, and transactional romances. Beginning with the dazzling Lady Gwendoline Vancouver and her circle, then widening to a worldly widow, a jealous prince, a rising marquis, and a celebrated actress, the book sketches intersecting intrigues among aristocrats and parvenus. The opening of the novel follows Lady Gwendoline Vancouver, a stylish, competitive beauty who covets a place in a chic illustrated weekly and toys with admirers to needle its editor, Victor Rowe. She baits the modest Tommy Lorrett into her orbit to reach Rowe, outshines her sister-rival Lady Treppy, and coolly rebuffs Rowe’s plea to publish her portrait—only for the paper to run it anyway. A new section shows Gwen slipping into a clandestine affair with Cis Pen; a street collision nearly exposes her to her husband Eustace, who is himself seen with the dancer Mabel Deare, but Gwen nimbly manufactures an alibi and, amid brewing gossip, agrees to visit her wealthy in-laws—securing funds, favor, and firmer control at home. The focus then shifts to Madame Vesey, a charming widow who engineers a triumph at the Rushes’ salon with an “oriental” dance, publicly choosing Lord Tyars over the enamored Prince of Cinq-Ports and winning a proposal. Finally, the scene turns to timid baronet Sir Marmaduke Orris and his assertive wife Bertha: guided by their theatrical cousin Victor Fielding, Bertha pursues social éclat and an introduction to the famed actress Kitty Dove; Marmaduke, disapproving, is disarmed by Kitty’s decorous domesticity as Bertha prepares a showy Pompeian supper in her honor. (This is an automatically generated summary.)
534 _pOriginally published:
_cParis: Plon, 1884
653 _aShort stories, French
653 _aFrench fiction -- 19th century
856 4 _uhttps://gallica.bnf.fr/ark:/12148/bpt6k9753736v
856 4 0 _uhttps://www.gutenberg.org/ebooks/77790
999 _c118510
_d118510