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010 _a23017208
040 _aUtSlPG
041 7 _aen
_2iso639-1
050 4 _aPS
100 1 _aFarrar, John Chipman,
_d1896-1974
245 1 4 _aThe Bookman anthology of essays [1923]
264 1 _aSalt Lake City, UT :
_bProject Gutenberg,
_c2026
300 _a1 online resource :
_bmultiple file formats
336 _atext
_btxt
_2rdacontent
337 _acomputer
_bc
_2rdamedia
338 _aonline resource
_bcr
_2rdacarrier
500 _aRelease date is 2026-03-24
505 0 _aMr. Dempsey's five-foot shelf, by Heywood Broun -- The gentle Argonauts, by William McFee -- Spotlight or fame? by John Erskine -- Surrender books, by Thomas L. Masson -- An open letter to H. L. Mencken, by Hugh Walpole -- Mr. Mencken replies, by H. L. Mencken -- Sarah Bernhardt, by Charles Henry Meltzer -- Josephine Peabody, "The piper," by Abbie Farwell Brown -- The Dickens of it, by Keith Preston -- The unreality of modern realism, by Mary Roberts Rinehart -- The Wright American, by Hildegarde Hawthorne -- A landmark passes, by Arthur Bartlett Maurice -- The church and the library, by Arthur E. Bostwick -- On works of reference, by Aline Kilmer -- Criticism and bad manners, by Floyd Dell -- The new word in play producing, by Zona Gale -- The why of the best seller, by William Lyon Phelps -- Religion and the theater, by Kenneth Macgowan -- Murray Hill's recollections of James Huneker, by Robert Cortes Holliday -- O. Henry, playwright, by Alexander Woollcott -- Women as audience, by Mary Austin -- George Santayana's "Life of reason," by Burton Rascoe -- Nietzschean Pilgrim Fathers, by Dorothy Canfield Fisher -- The Hundredth Amendment, by Oliver Herford -- The Negro in American literature, by Benjamin Brawley.
508 _aTim Miller, Paul Fatula and the Online Distributed Proofreading Team at https://www.pgdp.net (This file was produced from images generously made available by The Internet Archive)
520 _a"The Bookman anthology of essays [1923]" by John Chipman Farrar is a collection of literary essays and sketches written in the early 20th century. Drawn from The Bookman magazine, it assembles lively portraits, debates, and reflections that map contemporary American literary attitudes. Topics range from reading habits and theatrical lore to criticism, bestseller culture, and transatlantic quarrels, with contributions by figures such as Heywood Broun, H. L. Mencken, Hugh Walpole, William McFee, and others. The opening of this anthology sets the stage with Farrar’s candid preface: the volume is not a pure essay anthology but a miscellany intended to sketch current American literary tendencies, followed by acknowledgments and detailed indices. Brief editor’s portraits introduce contributors before the first run of pieces: Heywood Broun on Jack Dempsey’s unliterary reading and the gap between life and letters; William McFee’s shipboard talk that skewers a fad for South Seas romances and muses on the island’s perennial allure; and John Erskine’s contrast between fleeting journalistic “spotlight” and enduring fame. Thomas L. Masson defines “surrender books” that wholly absorb readers; Hugh Walpole publicly challenges Mencken’s charges about English criticism while urging Anglo‑American literary kinship; and Mencken answers crisply with review statistics and a jab at log‑rolling. Further pieces include Charles Henry Meltzer’s affectionate tribute to Sarah Bernhardt, Abbie Farwell Brown’s account of Josephine Peabody’s Stratford triumph with The Piper, and Keith Preston’s witty Dickens‑tinged critique of H. G. Wells’s Outline of History; the section closes as Mary Roberts Rinehart begins arguing for the human value of idealism over modern realism. (This is an automatically generated summary.)
534 _pOriginally published:
_cNew York: George H. Doran Company, 1923
653 _aAmerican essays -- 20th century
856 4 _uhttps://archive.org/details/bookmananthology0000farr/page/n5/mode/2up
856 4 0 _uhttps://www.gutenberg.org/ebooks/78290
999 _c119010
_d119010