000			02180cam a22003253u 4500
001			78453
003			UtSlPG
005			20260610134823.0
006			m
007			cr n
008			260607r20261911utu|||||o|||||||||||||| d
040			_aUtSlPG
041		7	_aca _2iso639-1
050		4	_aPC
100	1		_aKarr, Carme, _d1865-1943
245	1	4	_aEls idols
264		1	_aSalt Lake City, UT : _bProject Gutenberg, _c2026
300			_a1 online resource : _bmultiple file formats
336			_atext _btxt _2rdacontent
337			_acomputer _bc _2rdamedia
338			_aonline resource _bcr _2rdacarrier
500			_aRelease date is 2026-04-15
508			_aEditor digital: Joan Queralt Gil
520			_aEls idols by Carme Karr is a one-act domestic drama written in the early 20th century. The play centers on marital infidelity and the collapse of idealized male “idols,” contrasting romantic illusions with the pragmatic wisdom women use to preserve family and social respectability. Joana arrives at her parents’ home in anguish after discovering a perfumed letter from Lulú, a showgirl arranging a tryst with Joana’s husband, Lluís. Furious and ready to confront him and demand a divorce, she even flirts with thoughts of revenge. Her mother, Donya Maria, steadies her, insisting on dignity, the children’s welfare, and the reality of social double standards. To teach her, Donya Maria reveals secret letters proving that Joana’s father once betrayed her too, yet she chose to forgive and maintain peace at home for the sake of the family. Humbled, Joana agrees to take the children away briefly, return soon, and “hold the post” beside her husband, resolved to forgive. Alone, Donya Maria burns the old letters, hides Lulú’s note, and, with a wry, tender irony toward the ever-fallible “idol,” prepares to welcome her husband home. (This is an automatically generated summary.)
534			_pOriginally published: _cBarcelona: Bartomeu Baxarias - Editor, 1911
653			_aOne-act plays
653			_aCatalan drama
856	4		_uhttps://archive.org/details/elsidolsquadreen2813karr/mode/2up
856	4	0	_uhttps://www.gutenberg.org/ebooks/78453
999			_c119173 _d119173