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040			_aUtSlPG
041		7	_aen _2iso639-1
050		4	_aDR
100	1		_aEllison, Grace, _d1880-1935
245	1	3	_aAn Englishwoman in a Turkish harem
264		1	_aSalt Lake City, UT : _bProject Gutenberg, _c2026
300			_a1 online resource : _bmultiple file formats
336			_atext _btxt _2rdacontent
337			_acomputer _bc _2rdamedia
338			_aonline resource _bcr _2rdacarrier
500			_aRelease date is 2026-04-27
508			_aCraig Kirkwood and the Online Distributed Proofreading Team at https://www.pgdp.net (This file was produced from images generously made available by The Internet Archive)
520			_a"An Englishwoman in a Turkish harem" by Grace Ellison is a collection of travel letters and cultural reportage written in the early 20th century. The work records an English visitor’s intimate observations of Ottoman domestic life, especially the women’s quarters, confronting Western misconceptions while reflecting on reform, religion, and everyday custom in Constantinople. Through close friendships with Turkish women, it explores veiling, education, court ceremony, and the emerging women’s movement within a society balancing tradition and change. The opening of the book presents a preface that frames the letters as sympathetic impressions rather than politics or history, followed by an introduction by E. G. Browne defending Turks against European prejudice and sketching recent reforms and debates. The narrative then returns the English narrator to Stamboul and into her friend Fâtima’s household, evoking the city’s melancholy beauty, the quiet routines of the harem, and the intense hospitality that dissolves privacy and hinders letter-writing. She describes her devoted African maid “Miss Chocolate,” the contemplative pace of life, and new liberties for women since the 1908 revolution—walking in parks, visiting shops—set against persistent public scrutiny and religious conservatism. The text dismantles fantasies about harems and polygamy, highlights women’s organizing, and contrasts Western furnishings with a renewed pride in Turkish rooms, crafts, and manners. A vivid episode follows at the Dolma Bagtché Palace, where she views the baise-main from the harem side, notes eunuchs and court officials, and has a brief, understated audience with Sultan Mehmed V. The tone shifts when the household mourns the death of its patriarch, and she records the spare, democratic Turkish funeral customs and the stream of condolence visits from rich and poor alike. These chapters also clarify the real layout of a Turkish home, the rarity of polygamy, the ease yet infrequent use of divorce, and official efforts (backed by reformist ministers) to improve women’s health and education despite the constraints of veiling and seclusion. (This is an automatically generated summary.)
534			_pOriginally published: _cLondon: Metheun & Co., 1915
653			_aTurkey -- Social life and customs
653			_aWomen -- Turkey
700	1		_aBrowne, Edward Granville, _d1862-1926
856	4		_uhttps://archive.org/details/englishwomanintu00ellirich/page/n7/mode/2up
856	4	0	_uhttps://www.gutenberg.org/ebooks/78562
999			_c119280 _d119280