000 03315cam a22003373u 4500
001 78577
003 UtSlPG
005 20260610134825.0
006 m
007 cr n
008 260607r20261872utu|||||o|||||||||||||| d
040 _aUtSlPG
041 7 _aen
_2iso639-1
050 4 _aPR
100 1 _aChatterton, Georgiana, Lady,
_d1806-1876
245 1 4 _aThe lost bride; vol. 3
264 1 _aSalt Lake City, UT :
_bProject Gutenberg,
_c2026
300 _a1 online resource :
_bmultiple file formats
336 _atext
_btxt
_2rdacontent
337 _acomputer
_bc
_2rdamedia
338 _aonline resource
_bcr
_2rdacarrier
500 _aRelease date is 2026-04-30
508 _aMWS, Chuck Greif and the Online Distributed Proofreading Team at https://www.pgdp.net (This file was produced from images generously made available by The Internet Archive/American Libraries.)
520 _a"The lost bride; vol. 3" by Lady Georgiana Chatterton is a novel written in the late 19th century. It follows a young gentlewoman narrator, guided by the wise Aunt Jane, as she navigates a tangled inheritance dispute, tests of character, and rekindled affections with Marchese Carlo Spinola, set against the fortunes of friends like Dorina and Count Rossi. Blending society drama, moral reflection, and travel, the story turns on restoring a father’s honor, exposing an impostor heir, and choosing love with prudence. The opening of the novel finds the Duchess of Dromoland ushering the narrator and Aunt Jane back into Castle Hall, where the gravely injured Carlo, repentant and hopeful, seeks a final interview and soon vows to help expose the impostor claiming the narrator’s estate, even planning to trace the supposed heir in America. Dorina, fragile after loss and betrayal, slowly revives and grants Count Rossi a private meeting that hints at reconciliation, while the narrator agrees to a renewed engagement with Carlo on a prudent probation. Several chapters shift inward as Aunt Jane answers the narrator’s religious doubts with candid counsel, satire, and reasoned hope. A restorative visit to Lorton Grange shows the Duchess’s bustling, kind household, her clear-eyed views of London fashion and “young ladies of the period,” and her conviction that Norah belongs with the charismatic but wayward Sir Alfred Rivers. The scene then follows Norah on a first grand tour with the Chandos family: a comic mishap when the rumble falls off, a missing box and a blustering cook, and, at San Remo, the jolt of seeing Sir Alfred’s and Lady Selina Bugginfield’s names together in the visitors’ book. Hurrying to Genoa, they just miss his party but find a masterly sketch he left behind; in Rome, while they keep out of society, Lady Spendfast arrives urging them into its brilliant circle, as the question of Norah and Sir Alfred quietly gathers. (This is an automatically generated summary.)
534 _pOriginally published:
_cLondon: Hurst & Blackett, 1872
653 _aInheritance and succession -- Fiction
653 _aYoung women -- Fiction
653 _aEnglish fiction -- 19th century
856 4 _uhttps://archive.org/details/lostbride01chat https://archive.org/details/lostbride02chat https://archive.org/details/lostbride03chat
856 4 0 _uhttps://www.gutenberg.org/ebooks/78577
999 _c119295
_d119295