000			02204cam a22003013u 4500
001			841
003			UtSlPG
005			20260610133036.0
006			m
007			cr n
008			260607r1997||||utu|||||o|||||||||||||| d
040			_aUtSlPG
041		7	_aen _2iso639-1
050		4	_aPS
100	1		_aLowell, Amy, _d1874-1925
245	1	0	_aMen, Women and Ghosts
264		1	_aSalt Lake City, UT : _bProject Gutenberg, _c1997
300			_a1 online resource : _bmultiple file formats
336			_atext _btxt _2rdacontent
337			_acomputer _bc _2rdamedia
338			_aonline resource _bcr _2rdacarrier
500			_aRelease date is 1997-03-01
508			_aProduced by Alan Light, and David Widger
520			_a"Men, Women and Ghosts" by Amy Lowell is a collection of narrative poems written in the early 20th century. This work explores the intricate emotions and relationships between its characters, often touching upon themes of love, loss, and the haunting presence of the past. One prominent character introduced early is Lady Eunice, who grapples with her feelings for her absent husband, Sir Everard, and her connection with Gervase Deane, a wounded soldier she befriends. The opening of this collection sets a tone marked by both beauty and melancholy. It begins with the poem “Figurines in Old Saxe,” where Lady Eunice walks through a garden, reflecting on her opulent but suffocating life as she mourns the imminent loss of her fiancé, who is off fighting in the war. As she engages in her thoughts, the text vividly illustrates her struggle between societal expectations and her yearning for emotional freedom. The subsequent poem, “Pickthorn Manor,” continues to elaborate on Lady Eunice's poignant emotional landscape, showcasing her longing and the tension of her relationships amidst the backdrop of war. Overall, the beginning portion provides a rich exploration of the inner psychological world of its characters, inviting readers to reflect on the universality of their experiences. (This is an automatically generated summary.)
534			_nOriginal publication data not identified
653			_aAmerican poetry
856	4	0	_uhttps://www.gutenberg.org/ebooks/841
999			_c42960 _d42960