000			02026cam a22003133u 4500
001			1246
003			UtSlPG
005			20260610133042.0
006			m
007			cr n
008			260607r1998||||utu|||||o|||||||||||||| d
040			_aUtSlPG
041		7	_aen _2iso639-1
050		4	_aPS
100	1		_aAiken, Conrad, _d1889-1973
245	1	4	_aThe House of Dust: A Symphony
264		1	_aSalt Lake City, UT : _bProject Gutenberg, _c1998
300			_a1 online resource : _bmultiple file formats
336			_atext _btxt _2rdacontent
337			_acomputer _bc _2rdamedia
338			_aonline resource _bcr _2rdacarrier
500			_aRelease date is 1998-03-01
508			_aProduced by Judy Boss, and David Widger
520			_a"The House of Dust: A Symphony" by Conrad Aiken is a poetic work structured in three parts, likely written in the early 20th century. This intricate piece weaves together themes of life, death, and the ephemeral nature of human experience, exploring the struggles of existence against the backdrop of a rich, symbolic cityscape. The text invites readers to contemplate dreams, aspirations, and the poignant illusions that shape our realities. The opening of the poem introduces a somber yet vivid atmosphere, where the transition from day to night is marked by a haunting beauty. A dreamer wanders through the city, observing the interplay of shadows and light as people move amidst the rain. The imagery evokes a sense of collective experience, encompassing themes of love, loss, and the inescapable passage of time. Characters emerge through their reflections and aspirations, creating a vivid tapestry of emotions that engage the reader's senses, while the overarching motif of a city in flux serves as a poignant reminder of the impermanence inherent in both life and dreams. (This is an automatically generated summary.)
534			_nOriginal publication data not identified
653			_aAmerican poetry
653			_aPastoral poetry
856	4	0	_uhttps://www.gutenberg.org/ebooks/1246
999			_c43362 _d43362