000 02246cam a22003133u 4500
001 1763
003 UtSlPG
005 20260610133049.0
006 m
007 cr n
008 260607r1999||||utu|||||o|||||||||||||| d
040 _aUtSlPG
041 7 _aen
_2iso639-1
050 4 _aPS
100 1 _aDavis, Richard Harding,
_d1864-1916
245 1 4 _aThe Nature Faker
264 1 _aSalt Lake City, UT :
_bProject Gutenberg,
_c1999
300 _a1 online resource :
_bmultiple file formats
336 _atext
_btxt
_2rdacontent
337 _acomputer
_bc
_2rdamedia
338 _aonline resource
_bcr
_2rdacarrier
500 _aRelease date is 1999-05-01
508 _aProduced by Aaron Cannon, and David Widger
520 _a"The Nature Faker" by Richard Harding Davis is a satirical short story written in the early 20th century. It explores the relationship between man and nature through the lens of a wealthy man's misguided attempt to liberate three performing bears. The narrative addresses themes of friendship, nature, and the absurdity of human ambitions, all framed within an entertaining commentary on society's perceptions of wild animals and their roles. The story follows Richard Herrick, a wealthy young man who, after being spurned in love, becomes enamored with nature. He buys three bears from a vaudeville act with the intention of releasing them into a game preserve he has created. His friends, Jackson and Kelly, ridicule his idealistic views, warning him that the bears are too domesticated to survive in the wild. Nevertheless, Herrick insists on his noble ambition to free them. Upon their release, the bears initially wander into the woods, but unexpectedly, their instincts are overridden by their familiarity with the performing life, leading to an ironic and humorous conclusion as they entertain the guests with an impromptu waltz. The story ends with Herrick's realization of the futility of his actions, highlighting the ironic conflict between his noble intentions and the reality of the bears' nature. (This is an automatically generated summary.)
534 _nOriginal publication data not identified
653 _aFiction
653 _aShort stories
856 4 0 _uhttps://www.gutenberg.org/ebooks/1763
999 _c43877
_d43877