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| 005 | 20260610133057.0 | ||
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| 040 | _aUtSlPG | ||
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_aen _2iso639-1 |
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| 050 | 4 | _aPR | |
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_aSwinburne, Algernon Charles, _d1837-1909 |
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| 245 | 1 | 0 | _aChastelard, a Tragedy |
| 264 | 1 |
_aSalt Lake City, UT : _bProject Gutenberg, _c2000 |
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_a1 online resource : _bmultiple file formats |
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_atext _btxt _2rdacontent |
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_acomputer _bc _2rdamedia |
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_aonline resource _bcr _2rdacarrier |
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| 500 | _aRelease date is 2000-11-01 | ||
| 508 | _aProduced by Tony Adam | ||
| 520 | _a"Chastelard, a Tragedy" by Algernon Charles Swinburne is a dramatic work from the late 19th century that explores the themes of love, honor, and tragedy within the context of historical figures, particularly focusing on Mary Stuart (Mary Queen of Scots) and her turbulent relationships. The narrative revolves around the characters of Mary Stuart, the enigmatic Chastelard, and the various ladies-in-waiting, known collectively as "the four Maries," who navigate the political and personal dramas of the royal court. The opening of the play introduces us to the four Maries, who engage in lively conversation about love and courtly affection, setting a tone of camaraderie mixed with underlying tension. Mary Beaton sings a lament that reflects her sadness over lost love, while the others tease and discuss various suitors. This scene sets the stage for the complicated dynamics of the court, especially as Chastelard, who is infatuated with Mary Stuart, enters the fray and further complicates the relationships at play. The dialogue foreshadows conflicts that will arise from love and jealousy, hinting at the tragic events that will unfold as the characters grapple with their desires and the harsh realities of their world. (This is an automatically generated summary.) | ||
| 534 | _nOriginal publication data not identified | ||
| 653 | _aTragedies (Drama) | ||
| 653 | _aMary, Queen of Scots, 1542-1587 -- Drama | ||
| 653 | _aChastelard, Pierre de Bocosel de, 1540-1562 -- Drama | ||
| 856 | 4 | 0 | _uhttps://www.gutenberg.org/ebooks/2379 |
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_c44460 _d44460 |
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