000 02629cam a22003373u 4500
001 2398
003 UtSlPG
005 20260610133057.0
006 m
007 cr n
008 260607r2000||||utu|||||o|||||||||||||| d
040 _aUtSlPG
041 7 _aen
_2iso639-1
050 4 _aNX
100 1 _aPater, Walter,
_d1839-1894
245 1 4 _aThe Renaissance: Studies in Art and Poetry
264 1 _aSalt Lake City, UT :
_bProject Gutenberg,
_c2000
300 _a1 online resource :
_bmultiple file formats
336 _atext
_btxt
_2rdacontent
337 _acomputer
_bc
_2rdamedia
338 _aonline resource
_bcr
_2rdacarrier
500 _aRelease date is 2000-11-01
505 0 _aPreface -- Two early French stories -- Pico della Mirandola -- Sandro Botticelli -- Luca della Robbia -- The poetry of Michelangelo -- Leonardo da Vinci -- The school of Giorgione -- Joachim du Bellay -- Winckelmann -- Conclusion.
508 _aProduced by Bruce McClintock. HTML version by Al Haines.
520 _a"The Renaissance: Studies in Art and Poetry" by Walter Pater is a collection of essays written during the late 19th century, focusing on the cultural and aesthetic movements of the Renaissance. The work delves into various artistic figures, such as Botticelli and Michelangelo, and the philosophical ideas that characterized this vibrant period in history. Pater's aim is to explore beauty and artistic excellence through a personal and subjective lens, encouraging readers to appreciate art and poetry by understanding their unique impressions and effects. The opening of the text presents a thorough examination of the concept of beauty, emphasizing its relativity and the importance of individual perception in its appreciation. Pater critiques prior attempts to provide abstract definitions of beauty, proposing instead that true aesthetic criticism should focus on concrete experiences and unique impressions elicited by various forms of art. He sets the stage for the subsequent studies by discussing the complex interplay between the revival of classical antiquity and the emerging humanist spirit of the Renaissance. Through the lens of early French stories and notable figures like Pico della Mirandola, Pater illustrates the multi-faceted nature of the Renaissance as a movement that transcends mere artistic revival to encompass a broader cultural awakening. (This is an automatically generated summary.)
534 _nOriginal publication data not identified
653 _aRenaissance -- Italy
653 _aRenaissance
653 _aArts, Renaissance
856 4 0 _uhttps://www.gutenberg.org/ebooks/2398
999 _c44479
_d44479