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040 _aUtSlPG
041 7 _aen
_2iso639-1
050 4 _aPR
100 1 _aHaggard, H. Rider
_q(Henry Rider),
_d1856-1925
245 1 2 _aA Yellow God: An Idol of Africa
264 1 _aSalt Lake City, UT :
_bProject Gutenberg,
_c2006
300 _a1 online resource :
_bmultiple file formats
336 _atext
_btxt
_2rdacontent
337 _acomputer
_bc
_2rdamedia
338 _aonline resource
_bcr
_2rdacarrier
500 _aWikipedia page about this book: https://en.wikipedia.org/wiki/The_Yellow_God
500 _aRelease date is 2006-04-04
508 _aJohn Bickers, Dagny, Emma Dudding and David Widger
520 _a"A Yellow God: An Idol of Africa" by H. Rider Haggard is a novel written during the late 19th century. The story revolves around Sir Robert Aylward and Major Alan Vernon, two central characters involved in a speculative scheme known as the Sahara flotation, which aims to transform a desert region into a flourishing area for commerce. The initial focus of the narrative explores themes of greed, financial manipulation, and unforeseen consequences that arise from the ambitions of the characters. The opening portion of the book introduces Sir Robert Aylward, an ambitious financier, who revels in his new wealth but is soon confronted by his partner Alan Vernon, who expresses moral concerns regarding the dubious ethical nature of their business practices. As the plot unfolds, Alan seeks to distance himself from the questionable motivations behind the Sahara project after a conversation with an editor who hints at a scandal. Meanwhile, a peculiar golden idol, known as the Yellow God, becomes a symbol of deeper cultural and supernatural elements, hinting at themes of fate and consequence intertwined with the narrative of wealth and ambition. As tensions rise among the characters and their motivations are laid bare, the story sets the stage for greater conflicts ahead. (This is an automatically generated summary.)
534 _nOriginal publication data not identified
653 _aAfrica -- Fiction
856 4 0 _uhttps://www.gutenberg.org/ebooks/2857
999 _c44933
_d44933