000			02013cam a22003013u 4500
001			2914
003			UtSlPG
005			20260610133105.0
006			m
007			cr n
008			260607r2004||||utu|||||o|||||||||||||| d
040			_aUtSlPG
041		7	_aen _2iso639-1
050		4	_aPR
100	1		_aGalsworthy, John, _d1867-1933
245	1	4	_aThe Mob: A Play in Four Acts
264		1	_aSalt Lake City, UT : _bProject Gutenberg, _c2004
300			_a1 online resource : _bmultiple file formats
336			_atext _btxt _2rdacontent
337			_acomputer _bc _2rdamedia
338			_aonline resource _bcr _2rdacarrier
500			_aRelease date is 2004-09-26
508			_aProduced by David Widger
520			_a"The Mob: A Play in Four Acts" by John Galsworthy is a dramatic work likely written in the early 20th century, addressing political and moral dilemmas during a time of conflict. The play centers around Stephen More, a Member of Parliament, who stands at a moral crossroads as he grapples with his conscience regarding a war and the ramifications it has on his family and society. The opening of the play introduces us to Stephen More's dining room, where heated discussions are unfolding among a group of characters, including his wife Katherine and various other family members and associates. The debate focuses on national honor and the ethics of engagement in warfare, highlighting the tensions between personal conviction and public duty. As More prepares to make a speech against the war, his firm stance garners anger from those around him, particularly from his wife, who pleads with him to reconsider given the familial repercussions of his choices. This sets the stage for a drama infused with societal critique, family loyalty, and the struggle for individual integrity amidst the clamor of the "mob." (This is an automatically generated summary.)
534			_nOriginal publication data not identified
653			_aEnglish drama
856	4	0	_uhttps://www.gutenberg.org/ebooks/2914
999			_c44988 _d44988