000			02150cam a22003253u 4500
001			4438
003			UtSlPG
005			20260610133126.0
006			m
007			cr n
008			260607r2003||||utu|||||o|||||||||||||| d
040			_aUtSlPG
041		7	_aen _2iso639-1
050		4	_aPR
100	1		_aMeredith, George, _d1828-1909
245	1	0	_aVittoria — Volume 4
264		1	_aSalt Lake City, UT : _bProject Gutenberg, _c2003
300			_a1 online resource : _bmultiple file formats
336			_atext _btxt _2rdacontent
337			_acomputer _bc _2rdamedia
338			_aonline resource _bcr _2rdacarrier
500			_aRelease date is 2003-09-01
508			_aThis etext was produced by David Widger
520			_a"Vittoria — Volume 4" by George Meredith is a novel written during the late 19th century. The narrative unfolds in a dramatic and politically charged setting, centering on the eponymous character, Vittoria, a talented prima donna who captivates an Italian audience with her singing at an opera. The story hints at themes of love, national identity, and the personal struggles amid the backdrop of sociopolitical unrest. The opening portion immerses readers in the electrifying atmosphere of an opera performance, where Vittoria's dramatic portrayal of a character named Camilla evokes intense emotions from her audience. As she sings, the audience is skeptical and critical, yet eventually succumbs to her talent. The scene reveals the complexities of her character—caught between her artistic ambitions and the threats facing her, underscored by the presence of political tensions and personal rivalries, particularly concerning her lover, Carlo Ammiani. Moreover, Vittoria's triumph on stage juxtaposes her internal turmoil and foreshadows the troubles that will follow, setting the stage for a narrative rife with conflict and intrigue. (This is an automatically generated summary.)
534			_nOriginal publication data not identified
653			_aHistorical fiction
653			_aWar stories
653			_aItaly -- History -- Revolution of 1848 -- Fiction
856	4	0	_uhttps://www.gutenberg.org/ebooks/4438
999			_c46484 _d46484