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001 4970
003 UtSlPG
005 20260610133133.0
006 m
007 cr n
008 260607r2004||||utu|||||o|||||||||||||| d
040 _aUtSlPG
041 7 _aen
_2iso639-1
050 4 _aPT
100 1 _aStrindberg, August,
_d1849-1912
245 1 0 _aThere Are Crimes and Crimes
264 1 _aSalt Lake City, UT :
_bProject Gutenberg,
_c2004
300 _a1 online resource :
_bmultiple file formats
336 _atext
_btxt
_2rdacontent
337 _acomputer
_bc
_2rdamedia
338 _aonline resource
_bcr
_2rdacarrier
500 _aRelease date is 2004-01-01
508 _aText file produced by Nicole Apostola, Charles Franks and the Online Distributed Proofreading Team HTML file produced by David Widger
520 _a"There Are Crimes and Crimes" by August Strindberg is a play written during the late 19th century. This comedy delves into the complexities of human relationships, morality, and the hidden crimes that transcend legal bounds, often exploring the internal struggles of its main characters, such as Maurice, a playwright, Jeanne, his mistress, and their daughter Marion. The work navigates themes of faith, love, and the societal consequences of personal choices. The opening of the play sets a somber tone in a Parisian cemetery, where Jeanne and their daughter Marion are waiting for Maurice. The scene introduces the discontent and emotional turmoil of Jeanne, who fears abandonment, foreshadowing the struggles Maurice faces as he grapples with looming success and the implications it has on his family. As Maurice arrives, the dialogue reveals his conflicting feelings towards his family and career ambitions. Through conversations with other characters, Strindberg hints at deeper issues regarding faith, duty, and the potential consequences of Maurice's choices, setting the stage for the unfolding drama of interpersonal conflict and moral questioning inherent throughout the play. (This is an automatically generated summary.)
534 _nOriginal publication data not identified
653 _aDrama
700 1 _aBjörkman, Edwin,
_d1866-1951
856 4 0 _uhttps://www.gutenberg.org/ebooks/4970
999 _c47009
_d47009