| 000 | 02436cam a22003133u 4500 | ||
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| 001 | 5712 | ||
| 003 | UtSlPG | ||
| 005 | 20260610133142.0 | ||
| 006 | m | ||
| 007 | cr n | ||
| 008 | 260607r2004||||utu|||||o|||||||||||||| d | ||
| 040 | _aUtSlPG | ||
| 041 | 7 |
_aen _2iso639-1 |
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| 050 | 4 | _aNB | |
| 100 | 1 |
_aJames, Juliet Helena Lumbard, _d1864- |
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| 245 | 1 | 0 |
_aSculpture of the Exposition Palaces and Courts : _bDescriptive Notes on the Art of the Statuary at the Panama-Pacific International Exposition, San Francisco |
| 264 | 1 |
_aSalt Lake City, UT : _bProject Gutenberg, _c2004 |
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| 300 |
_a1 online resource : _bmultiple file formats |
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| 336 |
_atext _btxt _2rdacontent |
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| 337 |
_acomputer _bc _2rdamedia |
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| 338 |
_aonline resource _bcr _2rdacarrier |
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| 500 | _aRelease date is 2004-05-01 | ||
| 508 | _aThis eBook was produced by David Schwan | ||
| 520 | _a"Sculpture of the Exposition Palaces and Courts" by Juliet Helena Lumbard James is a descriptive account of the remarkable sculptures featured at the Panama-Pacific International Exposition held in San Francisco. This publication can be characterized as an art history book that was likely written in the early 20th century. The book delves into the creative expressions of American sculptors, showcasing their works and highlighting the significance of their contributions to the art scene during the exposition. The content of the book is structured around various prominent sculptures from the exposition, providing detailed descriptions and interpretations of each piece. Notable works include "The Fountain of Energy," which symbolizes the triumph of energy and human endeavor, and "The End of the Trail," which poignantly represents the struggles faced by Native Americans. Each chapter explores different sculptures, their themes, and the sculptors behind them, such as A. Stirling Calder, Daniel Chester French, and Edith Woodman Burroughs, offering biographical insights into the artists and insights into the broader cultural context of their work. The book serves as both a celebration of artistic achievement and a call for the enduring appreciation of public sculpture in urban landscapes. (This is an automatically generated summary.) | ||
| 534 | _nOriginal publication data not identified | ||
| 653 | _aPanama-Pacific International Exposition (1915 : San Francisco, Calif.) | ||
| 653 | _aSculpture | ||
| 856 | 4 | 0 | _uhttps://www.gutenberg.org/ebooks/5712 |
| 999 |
_c47739 _d47739 |
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