000 02397cam a22003493u 4500
001 5790
003 UtSlPG
005 20260610133143.0
006 m
007 cr n
008 260607r2004||||utu|||||o|||||||||||||| d
040 _aUtSlPG
041 7 _aen
_2iso639-1
050 4 _aPS
100 1 _aMillay, Edna St. Vincent,
_d1892-1950
245 1 0 _aAria da Capo
264 1 _aSalt Lake City, UT :
_bProject Gutenberg,
_c2004
300 _a1 online resource :
_bmultiple file formats
336 _atext
_btxt
_2rdacontent
337 _acomputer
_bc
_2rdamedia
338 _aonline resource
_bcr
_2rdacarrier
500 _aRelease date is 2004-05-01
508 _aProduced by David Starner, and David Widger
520 _a"Aria da Capo" by Edna St. Vincent Millay is a play in one act written in the early 20th century. This theatrical work presents a whimsical yet poignant narrative that delves into themes of love, the intricacies of relationships, and the contrast between tragedy and farce. Set within a colorful and metaphorical framework, it intertwines elements of both comedy and seriousness, presenting a unique commentary on human emotions and societal expectations. The story unfolds in a two-part structure, beginning with the main characters, Pierrot and Columbine, engaged in a seemingly trivial dining conversation filled with humor and banter. Their light-hearted interaction is interrupted by Cothurnus, a figure representing the weight of tragedy, who attempts to integrate a more serious tone. Meanwhile, shepherds Thyrsis and Corydon illustrate their own narrative of conflict and disillusionment as they quarrel over imaginary boundaries between themselves and their sheep. The play juxtaposes these two dialogues, ultimately leading to a tragic conclusion where misunderstandings and jealousy culminate in violent circumstances, only to be ignored and transformed back into farce by Pierrot and Columbine. This cyclical structure emphasizes the absurdity of life, a reflection on the human condition wrapped in humor and sorrow. (This is an automatically generated summary.)
534 _nOriginal publication data not identified
653 _aWar -- Drama
653 _aDidactic drama
653 _aShepherds -- Drama
653 _aFriendship -- Drama
653 _aAlienation (Social psychology) -- Drama
856 4 0 _uhttps://www.gutenberg.org/ebooks/5790
999 _c47816
_d47816