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040			_aUtSlPG
041		7	_aen _2iso639-1
050		4	_aPN _aPR
100	1		_aVaughan, Charles Edwyn, _d1854-1922
245	1	0	_aEnglish literary criticism
264		1	_aSalt Lake City, UT : _bProject Gutenberg, _c2004
300			_a1 online resource : _bmultiple file formats
336			_atext _btxt _2rdacontent
337			_acomputer _bc _2rdamedia
338			_aonline resource _bcr _2rdacarrier
500			_aRelease date is 2004-08-01
505	0		_aIntroduction -- Sir Philip Sidney: An apology for poetry -- John Dryden: Preface to the Fables -- Samuel Johnson: On the metaphysical poets -- Samuel Taylor Coleridge: On poetic genius and poetic diction -- William Hazlitt: On poetry in general -- Charles Lamb: On the artificial comedy of the last century -- On Webster's 'Duchess of Malfi' -- On Ford's 'Broken heart' -- Percy Bysshe Shelley: A defence of poetry -- Thomas Carlyle: Goethe -- Walter Pater: Sandro Botticelli.
508			_aE-book produced by Beth Constantine, Juliet Sutherland, Charles Franks and the Online Distributed Proofreading Team
520			_a"English Literary Criticism" by Charles Edwyn Vaughan is a scholarly work focused on the evolution of literary criticism in England, likely written during the late 19th century. The text examines the development of critical methods and illustrates various phases via selected essays from significant critics, including Philip Sidney, John Dryden, and Samuel Johnson. The book aims to explore the relationship between literature and criticism through time, emphasizing how criticism has shaped readers' understanding of literature from the Elizabethan period onward. At the start of this volume, Vaughan introduces his objective, outlining a historical framework for understanding English literary criticism. He notes that criticism arose later than creative writing and reflects on the early foundations laid by writers like Chaucer, while also hinting at a significant shift during the Elizabethan era. The opening portion further delves into critical responses to the rise of poetry and drama, highlighting the tensions between traditional classical standards and the emerging voices advocating for more innovative forms of artistic expression. As Vaughan sets the stage for a comprehensive exploration of various critics from different eras, he emphasizes the interplay between poetic genius and an evolving framework of literary judgment. (This is an automatically generated summary.)
534			_nOriginal publication data not identified
653			_aEnglish literature -- History and criticism
653			_aCriticism -- Great Britain
700	1		_aHerford, C. H. _q(Charles Harold), _d1853-1931
856	4	0	_uhttps://www.gutenberg.org/ebooks/6320
999			_c48342 _d48342