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001 7227
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040 _aUtSlPG
041 7 _aen
_2iso639-1
050 4 _aN
100 1 _aRuskin, John,
_d1819-1900
245 1 0 _aMornings in Florence
264 1 _aSalt Lake City, UT :
_bProject Gutenberg,
_c2005
300 _a1 online resource :
_bmultiple file formats
336 _atext
_btxt
_2rdacontent
337 _acomputer
_bc
_2rdamedia
338 _aonline resource
_bcr
_2rdacarrier
500 _aRelease date is 2005-01-01
505 0 _aSanta Croce -- The Golden Gate -- Before the Soldan -- The vaulted book -- The Strait Gate -- The Shepherd's Tower.
508 _aText file produced by Michelle Shephard, Eric Eldred, Charles Franks and the Online Distributed Proofreading Team HTML file produced by David Widger
520 _a"Mornings in Florence" by John Ruskin is a travelogue and art critique written in the late 19th century. The work invites readers to explore the art and architecture of Florence, particularly focusing on the famed artist Giotto and his contributions to the city’s cultural heritage. Ruskin shares insights about various locations, including the Santa Croce church, encouraging readers to appreciate the intricacies of the art and the spiritual context behind it. The opening of "Mornings in Florence" introduces readers to the significance of Giotto's work within the context of Florence's rich artistic landscape. Ruskin begins by highlighting the importance of Giotto as a pivotal artist whose pieces are essential for anyone interested in ancient art. He guides the reader on a visit to the Santa Croce church, detailing the artwork and architecture, and provoking thought about restoration and the purity of artistic intention. Through vivid descriptions and reflective commentary, Ruskin lays the groundwork for an intimate exploration of not just Florence's physical attributes, but also the underlying philosophical and spiritual themes present in its art. (This is an automatically generated summary.)
534 _nOriginal publication data not identified
653 _aArt -- Italy -- Florence
653 _aArt, Italian -- Italy -- Florence
856 4 0 _uhttps://www.gutenberg.org/ebooks/7227
999 _c49218
_d49218