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| 001 | 8139 | ||
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| 005 | 20260610133217.0 | ||
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| 008 | 260607r2005||||utu|||||o|||||||||||||| d | ||
| 040 | _aUtSlPG | ||
| 041 | 7 |
_aen _2iso639-1 |
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| 050 | 4 | _aPR | |
| 100 | 1 |
_aFeis, Jacob, _d1842-1900 |
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| 245 | 1 | 0 |
_aShakspere and Montaigne : _bAn Endeavour to Explain the Tendency of 'Hamlet' from Allusions in Contemporary Works |
| 264 | 1 |
_aSalt Lake City, UT : _bProject Gutenberg, _c2005 |
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_a1 online resource : _bmultiple file formats |
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_atext _btxt _2rdacontent |
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_acomputer _bc _2rdamedia |
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_aonline resource _bcr _2rdacarrier |
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| 500 | _aRelease date is 2005-05-01 | ||
| 505 | 0 | _aIntroduction -- The beginnings of the English drama. The stage a medium for political and religious controversies. Shakspere's political creed. Florio's translation of Montaigne's essays -- Montaigne -- Hamlet -- The controversy between Ben Johnson and Dekker. Mention of a dispute between Ben Jonson and Shakspere in 'The return from Parnassus'. Characteristic of Ben Jonson. Ben Jonson's hostile attitude towards Shakspere. Dramatic skirmish between Ben Jonson and Shakspere. Ben Jonson's 'Poetaster'. Dekker's 'Satiromastix' -- 'Volpone', by Ben Jonson. 'Eastward hoe', by Chapman, Ben Jonson, and Marston. 'The malcontent', by John Marston. | |
| 508 | _aE-text prepared by Bill Boerst, Juliet Sutherland, and Tonya Allen | ||
| 520 | _a"Shakspere and Montaigne" by Jacob Feis is a scholarly analysis that explores the philosophical underpinnings and controversies surrounding Shakespeare's play "Hamlet," likely written during the late 19th century. The book examines the connections between Shakespeare’s work and the contemporary ideas presented in the writings of Michel Montaigne, focusing particularly on how these themes might shed light on "Hamlet’s" complex motivations and motifs. The opening of the work sets the stage for an in-depth examination of the relationship between Shakespeare and Montaigne. Feis proposes that "Hamlet" can be better understood through the lens of Montaigne's philosophy, which has generated considerable debate in its time. The author outlines a historical context for the dramatic arts in Elizabethan England, discussing how political and religious controversies influenced Shakespeare's writing. He suggests that "Hamlet" is not only a personal response to the attacks from playwrights like Ben Jonson but also a broader commentary on the philosophical tensions of the period, particularly concerning issues of individualism and morality as championed by Montaigne. This analytical approach promises readers an enlightening journey through the intersections of literature, philosophy, and drama. (This is an automatically generated summary.) | ||
| 534 | _nOriginal publication data not identified | ||
| 653 | _aShakespeare, William, 1564-1616 -- Philosophy | ||
| 653 | _aMontaigne, Michel de, 1533-1592 -- Influence | ||
| 653 | _aJonson, Ben, 1573?-1637 | ||
| 653 | _aHamlet (Legendary character) | ||
| 653 | _aShakespeare, William, 1564-1616. Hamlet | ||
| 856 | 4 | 0 | _uhttps://www.gutenberg.org/ebooks/8139 |
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_c50124 _d50124 |
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