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001			8162
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006			m
007			cr n
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040			_aUtSlPG
041		7	_aen _2iso639-1
050		4	_aND
100	1		_aMoore, George, _d1852-1933
245	1	0	_aModern Painting
264		1	_aSalt Lake City, UT : _bProject Gutenberg, _c2005
300			_a1 online resource : _bmultiple file formats
336			_atext _btxt _2rdacontent
337			_acomputer _bc _2rdamedia
338			_aonline resource _bcr _2rdacarrier
500			_aRelease date is 2005-05-01
505	0		_aWhistler -- Chavannes, Millet, and Manet -- The failure of the nineteenth century -- Artistic education in France and England -- Ingres and Corot -- Monet, Sisley, Pissaro, and the decadence -- Our academicians -- The organisation of art -- Art and science -- Royalty in art -- Art patrons -- Picture dealers -- Mr. Burne-Jones and the Academy -- The alderman in art -- Religiosity in art -- The camera in art -- The new English art club -- A great artist [Charles Keene] -- Nationality in art -- Sex in art -- Mr. Steer's exhibition -- Claude Monet -- Notes: Mr. Mark Fisher. A portrait by Mr. Sargent. An orchid by Mr. James. The Whistler album. Ingres -- Some Japanese prints -- The new art criticism -- Long ago in Italy.
508			_aE-text prepared by Eric Eldred, Marc D'Hooghe, Charles Franks, and the Online Distributed Proofreading Team
520			_a"Modern Painting" by George Moore is a critical examination of the evolving art scene, primarily focusing on the development of painting in the late 19th century. Moore explores the works and influences of significant artists, with a keen interest in figures like James Whistler and his contemporaries. This work reflects the author's sharp insights on aesthetics and the transitions in artistic philosophy during this period. At the start of the book, Moore introduces his subject by reflecting on his long engagement with the enigmatic James Whistler, highlighting the complexities of Whistler's character and artistic philosophy. Through an in-depth analysis, Moore seeks to demystify Whistler’s approach, contrasting it with traditional artistic practices. He also juxtaposes Whistler's elegant nocturnes and portraits with those of other prominent artists, revealing a broader commentary on the state of modern art in his time. The opening sets a contemplative tone, indicating that the work will delve into both individual artistry and the larger cultural implications of art in society. (This is an automatically generated summary.)
534			_nOriginal publication data not identified
653			_aPainting
856	4	0	_uhttps://www.gutenberg.org/ebooks/8162
999			_c50147 _d50147