000 02215cam a22003133u 4500
001 8375
003 UtSlPG
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006 m
007 cr n
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040 _aUtSlPG
041 7 _ade
_2iso639-1
050 4 _aBF
_aPN
100 1 _aLipps, Theodor,
_d1851-1914
245 1 4 _aDer Streit über die Tragödie
264 1 _aSalt Lake City, UT :
_bProject Gutenberg,
_c2005
300 _a1 online resource :
_bmultiple file formats
336 _atext
_btxt
_2rdacontent
337 _acomputer
_bc
_2rdamedia
338 _aonline resource
_bcr
_2rdacarrier
500 _aRelease date is 2005-06-01
508 _aE-text prepared by Carlo Traverso, Thomas Berger, and the Online Distributed Proofreading Team
520 _a"Der Streit über die Tragödie" by Theodor Lipps is a philosophical exploration of tragedy written in the late 19th century. The work delves into the various theories surrounding tragic art, addressing fundamental concepts like the resignation of the tragic hero, poetic justice, and the nature of suffering in relation to tragedy, offering a critical examination of how these ideas affect our understanding and appreciation of tragic works. The opening of the text presents a thorough introduction to Lipps' examination of the aesthetic experience of tragedy. He argues that artistic enjoyment does not rely on a rational understanding of the artwork’s effects, suggesting that misinterpretations of tragic art can lead to a diminished appreciation of its true value. Lipps critiques prevailing theories that ascribe a didactic role to tragedy, emphasizing instead that the true experience of a tragic work lies within its representation of suffering and conflict, rather than in deriving optimistic perspectives or moral lessons from them. Through his analysis, Lipps establishes a foundation for a deeper philosophical discourse on tragedy and invites readers to rethink their assumptions about the genre. (This is an automatically generated summary.)
534 _nOriginal publication data not identified
653 _aPsychology, Applied
653 _aTragedy
856 4 0 _uhttps://www.gutenberg.org/ebooks/8375
999 _c50357
_d50357