000			02148cam a22003013u 4500
001			8671
003			UtSlPG
005			20260610133224.0
006			m
007			cr n
008			260607r2005||||utu|||||o|||||||||||||| d
040			_aUtSlPG
041		7	_aen _2iso639-1
050		4	_aPS
100	1		_aBates, Arlo, _d1850-1918
245	1	4	_aThe Pagans
264		1	_aSalt Lake City, UT : _bProject Gutenberg, _c2005
300			_a1 online resource : _bmultiple file formats
336			_atext _btxt _2rdacontent
337			_acomputer _bc _2rdamedia
338			_aonline resource _bcr _2rdacarrier
500			_aRelease date is 2005-08-01
508			_aProduced by Eric Eldred, Erika Stokes and the Online Distributed Proofreading Team
520			_a"The Pagans" by Arlo Bates is a novel likely composed during the late 19th century. This work delves into the paradoxes of love, art, and societal expectations, focusing on characters who embody the struggles between personal desires and conventional norms. The narrative centers on Arthur Fenton, a young artist preparing for marriage, and his complex interactions with Helen, a talented sculptor, as they navigate their contrasting views on love and commitment. The opening of "The Pagans" sets the stage within an artistic atmosphere, showcasing a conversation between Arthur Fenton and Helen Greyson in her tastefully arranged sitting room. As Fenton prepares for his impending marriage to Edith Caldwell, the dialogue explores themes of disillusionment and societal conformity, with Fenton expressing cynicism about the institution of marriage. Helen's observations reflect a blend of admiration and critical insight into Fenton's character, hinting at deeper feelings beneath their seemingly platonic relationship. The exchange is rich in wit and philosophical undercurrents, establishing both characters' artistic aspirations and emotional complexities as they engage with their personal and relational dilemmas. (This is an automatically generated summary.)
534			_nOriginal publication data not identified
653			_aFiction
856	4	0	_uhttps://www.gutenberg.org/ebooks/8671
999			_c50623 _d50623